CV Lattes
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Universidade Estadual Paulista (UNESP). Campus de São Paulo. Instituto de Artes (IA) (Institutional affiliation from the last research proposal) Birthplace: Brazil
graduate at Bacharelado Em Música Instrumento Piano from Universidade Estadual Paulista Júlio de Mesquita Filho (1985), master's at Comunication from Pontifícia Universidade Católica de São Paulo (1993), ph.d. at Comunication from Pontifícia Universidade Católica de São Paulo (1998) and ph.d. at Comunication from Pontifícia Universidade Católica de São Paulo (1998). Has experience in Arts, acting on the following subjects: estética musical, música contemporânea, música, história da música and filosofia da música. (Source: Lattes Curriculum)
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The aim of this research is to map and to analyze the academic research on music's area contained in the Annals of ANPPOM (National Association for Research and Graduate Studies in Music) between 1988 and 2013, whose emphasis is part of the axis called "Brazilian's Themes" and was the guiding principle of the Association when it was founded in 1988. The corpus of this research, a state of…
The objective of this research is to conduct a state-of-art on the academic research in the area music held in Brazil since the creation of the Post-Graduate Programs in Music in 80s. Publications of the Proceedings from the Annual Meetings and Congresses ANPPOM between 1990 and 2010 will be considered the sampling of this research study. A preliminary and quantitative survey, which was e…
The present project seeks to articulate Theodor W. Adorno's discussion on the use of folkloric musical materials present in his writings from the 1920s with his concept of musical material, in order to understand how it can operate as a criterion to distinguish Béla Bartók from other folklorist composers of his time, analyzing to what extent his compositional project approaches New Music …
The present study aims to analyses critically some concepts brought forward by Peter Bürger in his Theory of the Avant-garde. The main focus will be on how the concepts of art as an institution, artistic means, the stage of self-criticism of art, shrinkage of experience collaborate to the discussion of the autonomy of art It will then be investigated, through the aforementioned concepts, …
This work intends to analyze the debates on music of the philosopher René Descartes present in his correspondence with several interlocutors, especially with the priest, theologian, philosopher, mathematician and musical theorist Marin Mersenne. Although not being recognized by his writings on musical aesthetics, Descartes not only devoted his first work to music (Compendium Musicaæ) but …
(Only some records are available in English at this moment)
Related to the doctoral research already in course (FAPESP 2018/02583-7), this is a project that aims the needs of the research and the benefits provided through a period of internship at Columbia University in the city of New York. Faced with the fact that the great majority of Cowells works (articles, music pieces, letters etc.) arent yet published, Cowell access to the Henry Papers at …
| 10 / 3 | Completed research grants |
| 7 / 7 | Completed scholarships in Brazil |
| 3 / 1 | Completed scholarships abroad |
| 20 / 11 | All research grants and scholarships |
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