Between the stage and the screen: new relations and innovations in scenic areas
Cinema on stage or the scene in the movie: humanism and politics in the epic film ...
Appropriations of melodrama in contemporary Brazilian cinema
Between the stage and the screen: new relations and innovations in scenic areas.
The reception of Sergei Eisensteins films in Brazil from 1945 to 1989
Entertainment and Spanish Golden Age: the Lope de Vega´s preceptive as an assumpti...