Omnia mutantur, nihil interit: an study on poiesis in music (1601-1676)
The Enduring Legacy of Gradus ad Parnassum: Posthumous Reception and Adaptation of...
Athanasius Kircher (1602-1680) and Joseph Johann Fux (1660-1741) and the defense o...
Study and analysis of the musical rhetoric figures in the work Gloria in D major, ...
Emulation of classic Rhetorics in Der Vollkommene Capellmeister [The Perfect Chape...