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Dialogues between Buto and Personal dance

Erika Carolina Cunha Rizza de Oliveira
Total Authors: 1
Document type: Master's Dissertation
Institution: Universidade Estadual de Campinas (UNICAMP). Instituto de Artes
Defense date:
Examining board members:
Cassiano Sydow Quillici; Antonio Luiz Dias Januzelli
Advisor: Renato Ferracini

What if it intends in this text is to try to translate concepts the metaphors and lines of escape of the relation actor-room-command-update-action, that occurs in work, as a necessary action for understanding of a particular language: the relation work that dancer exists between the actor/dancer and the conductor of one practical one (either it, managing or orienting) and the construction of a particular language: 'the metaphors of the works'. That is, I try to place me `between', between the lived experience and the verbal command of an person who orientates, dialoguing between the verb and the action. For this I use as example my experiences with the Butoh and Personal Dance (AU)

FAPESP's process: 07/01712-3 - Shi-zen, 7 cuias:Personal dance and butoh
Grantee:Erika Carolina Cunha Rizza de Oliveira
Support type: Scholarships in Brazil - Master