CV Lattes
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Universidade de São Paulo (USP). Instituto de Estudos Brasileiros (IEB) (Institutional affiliation from the last research proposal) Birthplace: Brazil
graduate at Ciências Sociais from Universidade de São Paulo (1994), master's at Sociology from Universidade de São Paulo (1999), ph.d. at Sciences Sociales from École des Hautes Études en Sciences Sociales (2003) and ph.d. at Sociology from Universidade de São Paulo (2004). Has experience in Sociology, acting on the following subjects: art, gender, brazilian art, modernism, sociology of art. (Source: Lattes Curriculum)
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The project aims to carry out a survey of images (paintings, drawings, engravings, photographs, sculptures and public monuments) of women active in the war against Paraguay (considering the different positions they occupied in the imagery of the conflict: warriors, nurses, "vivandeiras", victims, enemies, etc.), seeking to understand not only the contexts of production, circulation and re…
The Académie Julian was an important french's private art school in the end of the 19th and the beginning of the 20th century. The significant number of foreign female students enrolled at the institution who sought to have a teaching comparable to the École de Beaux-Arts stands out. Among them, we can mention the South American artists, such as the Brazilians Julieta de França, Nicota Ba…
This project aims to investigate the clashes and disputes around teaching practices in design and architecture in the 1950s and 1960s, based on the professional activities of Elisabeth Nobiling (1902-1975), Lina Bo Bardi (1914- 1992) and Renina Katz (1925). The three trajectories are part of a larger context toward the institutionalization of higher education in design. Even at a time whe…
It is proposed in this project the study of the critical fortune of two women's art criticisms with a considerable impact on the Brazilian artistic scene, but with different recognition levels by the system: Aracy Amaral, iconic name in Latin American art studies and author of important studies in the historiography of art modern, and strong figure in the first curatorial movements of the…
Portraits of heroes occupy a privileged place in national iconographies. In Brazil, the Republic led to the emergence of leaders who fought for Independence, but who remained overshadowed by the image of the king. Such incorporation, despite privileging male and elite characters, also allowed women and "figures of the people" to make up the national galleries. This research aims to unders…
(Only some records are available in English at this moment)
The purpose of this research is to analyse the circulation of pedagogical practices in design in the first half of the 20th century, based on the professional trajectories of Elisabeth Nobiling (1902-1975), Lina Bo Bardi (1914-1992), Marta Erps-Breuer (1902-1977) and Renina Katz (1925). To do this, we used as axes of analysis academic education, circuits of sociability and working partner…
The main objectives of this BEPE project are to investigate how the passage of South American artists through the Académie Julian provided gains for their trajectories in terms of insertion in the Parisian artistic field; to identify if the classes in the school's studios contributed to the construction of sociability networks in the French capital and also to analyze if the works of the …
This research project focuses on the possible artistic dialogues between Brazil and France regarding the selection of visual models that guided the brushes of Brazilians when creating the images related to the power of the First Republic. It seeks to understand, therefore, how artists have absorbed (re) meant and updated such models, whether for the painting of history, in relation to the…
In the face of an important presence of women in the history of modern Brazilian sculpture and in the Biennials of São Paulo, my PhD research aims to understand how gender dynamics have affected the international recognition and circulation of Brazilian women sculptors (or women sculptors working in Brazil) who were prized at the São Paulo Biennales between 1951 and 1965. This group is ma…
(Only some records are available in English at this moment)
| 5 / 0 | Completed research grants |
| 2 / 2 | Ongoing scholarships in Brazil |
| 13 / 11 | Completed scholarships in Brazil |
| 1 / 1 | Ongoing scholarships abroad |
| 6 / 5 | Completed scholarships abroad |
| 27 / 19 | All research grants and scholarships |
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