CV Lattes
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Universidade Estadual de Campinas (UNICAMP). Instituto de Filosofia e Ciências Humanas (IFCH) (Institutional affiliation for the last research proposal) Birthplace: Brazil
graduate at from Universidade de São Paulo (1982) and ph.d. from Universidade de São Paulo (1989). Has experience in Sociology, focusing on Other Specific Sociologies, acting on the following subjects: ditadura militar brasileira, cultura/ arte e politica/ intelectualidade, esquerda brasileira, intelectualidade brasileira/ pensamento marxista and anos 60. (Source: Lattes Curriculum)
| Articles published in Pesquisa FAPESP Magazine about the researcher: |
| The art of opposition |
| El arte de la resistencia |
| The art of opposition |
| News published in Agência FAPESP Newsletter about the researcher |
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| Articles published in other media outlets (0 total): |
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| VEICULO: TITULO (DATA) |
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The visit of prof. Michael Löwy to Unicamp is linked to the project "Brazilian Cases of the Culture Cold War", by Prof. Marcelo Ridenti. The participation of Prof. Löwy is also connected with projects of other colleagues, such as Fabio Marcaro Querido. Löwy is expected to collaborate on discussions of five PhD projects in progress, advised by Ridenti, as well as to comment the research of…
Prof. Michael Löwy's visit to Unicamp is connected with the project "Artists and intellectuals in the construction of the intellectual field and cultural industry in Brazil during the Cold War", by Prof. Marcelo Ridenti .The participation of Prof. Löwy is also linked to four PhD projects in progress, advised by Ridenti, two of them with grants from FAPESP, and other activities involving p…
(Only some records are available in English at this moment)
Inspired by the studies of the Frankfurt School and its contemporary successors, this postdoctoral research proposal aims to study the recent right-wing radicalism in Brazil. The idea is to investigate the relations between digital culture industry and the far-right propaganda it conveys, on the one hand, and the rise of authoritarianism in the country, on the other. The methodology resor…
After the civil-military coup of 1964, institutions involved with politics and cultural production suffered interventions that were decisive for their disarticulation. In this scenary, intellectuals belonged to these institutions or that gravitated around them, were dispersed, losing spaces of representation. An intellectual field formed up until that date went through a reconstruction …
By the end of the Sixties, the outgrowth of the repression in Brazilian dictatorship is established under the hard penalty of the Ato Institucional nº 5 [Institutional Act nº 5]. The repressive organs of the regime close the siege over actors, poets, writers, and all kind of professionals of culture and, of course, the musicians would not have a different treatment. With the dictatorship …
The 1990s created a new scenario for the television networks, agents that structure the Brazilian cultural industry. In addition to the technological changes and the increasing offer of other entertainment products that alter the open TV consumer habits, during this period, some socioeconomic processes, which the most meaningful consequence would be the progressive rise of the income leve…
In the passage of the 1960s and 1970s, the term "desbunde" came to encompass a countercultural generation of artists set in a time known as "post-tropicalia" (1969-1974). This season, marked by more violent activity of AI-5, it was also characterized by an intense economic investment by the State, which made possible, among other things, the restructuring of the music industry. Several mu…
(Only some records are available in English at this moment)
The purpose of investigating the social position assumed by Otto Maria Carpeaux in the process of reallocation of agents of the Brazilian intellectual field in the post-coup of 1964, allows a definition of the characteristics of this field and the understanding of the process of its construction. We present in the research a central hypothesis that situates different points of origin that…
Based on questions discussed in the initial research plan and that became more pronounced in the first year of my investigations, the objective of this project is a theoretical problematization about new forms of production and consumption of cultural commodity. Due to transformations unleashed by the emergence of a new pattern of flexible accumulation of capital, the contemporary culture…
The research intends: to study the relations between Brazilian communist and non-communist intellectuals and artists, investigating the cultural Cold War from the American point of view (as opposed to the internationalization promoted by the Soviets and the French Communists); to discover the importance for authors like Erico Veríssimo of the cultural network created with American support…
(Only some records are available in English at this moment)
| 19 / 6 | Completed research grants |
| 2 / 2 | Ongoing scholarships in Brazil |
| 18 / 9 | Completed scholarships in Brazil |
| 7 / 6 | Completed scholarships abroad |
| 46 / 23 | All research grants and scholarships |
| Associated processes | |
(References retrieved automatically from State of São Paulo Research Institutions)
DINIZ, Sheyla Castro. Desbundados e marginais : MPB e contracultura nos "anos de chumbo" (1969-1974). Tese (Doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas. (12/20608-0)
MAZON, Jose Vicente. Chico Buarque : a construção artística da realidade social. 132 f. Dissertação (Mestrado) - Universidade Estadual Paulista "Júlio de Mesquita Filho" Faculdade de Ciências e Letras (Campus de Araraquara). (99/00382-1)
RIBEIRO, Santiane Arias. A revista Estudos Sociais e a experiencia de um marxismo criador. Dissertação (Mestrado) - Instituto de Filosofia e Ciencias Humanas. Universidade Estadual de Campinas (UNICAMP). (01/03715-3)
GHEZZI, Daniela Ribas. Música em transe : o momento crítico da emergência da MPB (1958-1968). Tese (Doutorado) - Instituto de Filosofia e Ciências Humanas. Universidade Estadual de Campinas (UNICAMP). (06/61137-0)
LEME, Caroline Gomes. Cinema e sociedade : sobre a ditadura militar no Brasil. Dissertação (Mestrado) - Instituto de Filosofia e Ciências Humanas. Universidade Estadual de Campinas (UNICAMP). (09/04093-8)
ALMEIDA, Mariângela Ribeiro de. A canção como narrativa : o discurso social na MPB (1965-1975). Dissertação (Mestrado) - Instituto de Filosofia e Ciências Humanas. Universidade Estadual de Campinas (UNICAMP). (02/05226-2)
SANTOS, Daniela Vieira dos. As representações de nação nas canções de Chico Buarque e Caetano Veloso : do nacional-popular à mundialização. Tese (Doutorado) - Instituto de Filosofia e Ciências Humanas. Universidade Estadual de Campinas. (09/17595-1)
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SANTOS, Robson dos. Literatura em fragmentos : historia, politica e sociedade nas cronicas de Graciliano Ramos. Dissertação (Mestrado) - Instituto de Filosofia e Ciencias Humanas. Universidade Estadual de Campinas (UNICAMP). (04/05781-1)
JORGE, Marina Soler. Cinema Novo e Embrafilme: cineastas e Estado pela consolidação da indústria cinematográfica brasileira. 185 f. Dissertação (Mestrado) - Instituto de Filosofia e Ciências Humanas. Universidade Estadual de Campinas (UNICAMP). Campinas. (00/00034-2)
DINIZ, Sheyla Castro. Desbundados e marginais : MPB e contracultura nos "anos de chumbo" (1969-1974). Tese (Doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas. (12/20608-0)
MAZON, Jose Vicente. Chico Buarque : a construção artística da realidade social. 132 f. Dissertação (Mestrado) - Universidade Estadual Paulista "Júlio de Mesquita Filho" Faculdade de Ciências e Letras (Campus de Araraquara). (99/00382-1)