Marcelo Siqueira Ridenti
CV Lattes
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Universidade Estadual de Campinas (UNICAMP). Instituto de Filosofia e Ciências Humanas (IFCH) (Institutional affiliation for the last research proposal) Birthplace: Brazil
graduate at from Universidade de São Paulo (1982) and ph.d. from Universidade de São Paulo (1989). Has experience in Sociology, focusing on Other Specific Sociologies, acting on the following subjects: ditadura militar brasileira, cultura/ arte e politica/ intelectualidade, esquerda brasileira, intelectualidade brasileira/ pensamento marxista and anos 60. (Source: Lattes Curriculum)
- Culture and politics: intellectuals, artists and cultural production, AV.EXT
Abstract
The visit of prof. Michael Löwy to Unicamp is linked to the project "Brazilian Cases of the Culture Cold War", by Prof. Marcelo Ridenti. The participation of Prof. Löwy is also connected with projects of other colleagues, such as Fabio Marcaro Querido. Löwy is expected to collaborate on discussions of five PhD projects in progress, advised by Ridenti, as well as to comment the research ...
- XXXVII International Congress of the Latin American Studies association - LASA, AR.EXT
- Intellectuals, culture and politics (visiting professor: Michael Lowy), AV.EXT
Abstract
Prof. Michael Löwy's visit to Unicamp is connected with the project "Artists and intellectuals in the construction of the intellectual field and cultural industry in Brazil during the Cold War", by Prof. Marcelo Ridenti .The participation of Prof. Löwy is also linked to four PhD projects in progress, advised by Ridenti, two of them with grants from FAPESP, and other activities involving...
(Only some records are available in English at this moment)
- Otto Maria Carpeaux in the alternative press: cultural resistance and social position in the formation of the intellectual field in post-coup Brazil in 1964, BP.DR
Abstract
After the civil-military coup of 1964, institutions involved with politics and cultural production suffered interventions that were decisive for their disarticulation. In this scenary, intellectuals belonged to these institutions or that gravitated around them, were dispersed, losing spaces of representation. An intellectual field formed up until that date went through a reconstructio...
- Exile in MPB: experiences of exile and return in CHICO BUARQUE, Caetano VELOSO e GILBERTO Gil (1968-1979), BP.PD
Abstract
By the end of the Sixties, the outgrowth of the repression in Brazilian dictatorship is established under the hard penalty of the Ato Institucional nº 5 [Institutional Act nº 5]. The repressive organs of the regime close the siege over actors, poets, writers, and all kind of professionals of culture and, of course, the musicians would not have a different treatment. With the dictatorshi...
- A new folk on TV. Brazilian cultural industry at its most recent challenges, BP.PD
Abstract
The 1990s created a new scenario for the television networks, agents that structure the Brazilian cultural industry. In addition to the technological changes and the increasing offer of other entertainment products that alter the open TV consumer habits, during this period, some socioeconomic processes, which the most meaningful consequence would be the progressive rise of the income le...
(Only some records are available in English at this moment)
- Tradition, past and resistance: the formation of the dialectic continuity x inflection in the meeting of Otto Maria Carpeaux with Catholicism, BE.EP.DR
Abstract
The purpose of investigating the social position assumed by Otto Maria Carpeaux in the process of reallocation of agents of the Brazilian intellectual field in the post-coup of 1964, allows a definition of the characteristics of this field and the understanding of the process of its construction. We present in the research a central hypothesis that situates different points of origin th...
- Production and consumption in the contemporary culture industry, BE.EP.PD
Abstract
Based on questions discussed in the initial research plan and that became more pronounced in the first year of my investigations, the objective of this project is a theoretical problematization about new forms of production and consumption of cultural commodity. Due to transformations unleashed by the emergence of a new pattern of flexible accumulation of capital, the contemporary cultu...
- Ruth Cardoso Chair - Columbia University: the cultural Cold War in the internationalization of Brazilian artists and intellectuals, BE.PQ
Abstract
The research intends: to study the relations between Brazilian communist and non-communist intellectuals and artists, investigating the cultural Cold War from the American point of view (as opposed to the internationalization promoted by the Soviets and the French Communists); to discover the importance for authors like Erico Veríssimo of the cultural network created with American suppo...
- Politics, history and critique of modernity: the contemporary reception of Walter Benjamin on Michael Löwy and Daniel Bensaïd, BE.EP.DR
Abstract
Based on the doctoral research in progress (in the PPG in Sociology at the IFCH, UNICAMP, with a scholarship from FAPESP), "Politics, history and critique of modernity: the contemporary reception of Walter Benjamin on Michael Löwy and Daniel Bensaïd", and according to the opinion recommended on the latest report, the most general purpose of conducting a one-year research internship in F...
(Only some records are available in English at this moment)
| 18 / 5 | Completed research grants |
| 19 / 10 | Completed scholarships in Brazil |
| 1 / 1 | Ongoing scholarships abroad |
| 6 / 5 | Completed scholarships abroad |
| 44 / 21 | All research grants and scholarships |
| Associated processes | |
(References retrieved automatically from State of São Paulo Research Institutions)
JUNIOR, Clóvis Santa Fé. O rock "politizado" brasileiro dos anos 80. 2001. 269f. Dissertação (Mestrado) - . Universidade Estadual Paulista "Júlio de Mesquita Filho" Faculdade de Ciências e Letras (Campus de Araraquara).
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JORGE, Marina Soler. Cinema Novo e Embrafilme: cineastas e Estado pela consolidação da indústria cinematográfica brasileira. 2002. 185f. Dissertação (Mestrado) - Instituto de Filosofia e Ciências Humanas. Universidade Estadual de Campinas (UNICAMP). Campinas.
ALMEIDA, Mariângela Ribeiro de. A canção como narrativa : o discurso social na MPB (1965-1975). 2005. Dissertação (Mestrado) - Instituto de Filosofia e Ciências Humanas. Universidade Estadual de Campinas (UNICAMP).
MAZON, Jose Vicente. Chico Buarque : a construção artística da realidade social. 2002. 132f. Dissertação (Mestrado) - . Universidade Estadual Paulista "Júlio de Mesquita Filho" Faculdade de Ciências e Letras (Campus de Araraquara).
SANTOS, Daniela Vieira dos. As representações de nação nas canções de Chico Buarque e Caetano Veloso : do nacional-popular à mundialização. 2014. Tese (Doutorado) – Instituto de Filosofia e Ciências Humanas. Universidade Estadual de Campinas.
SANTOS, Robson dos. Literatura em fragmentos : historia, politica e sociedade nas cronicas de Graciliano Ramos. 2006. Dissertação (Mestrado) - Instituto de Filosofia e Ciencias Humanas. Universidade Estadual de Campinas (UNICAMP).
RIBEIRO, Santiane Arias. A revista Estudos Sociais e a experiencia de um marxismo criador. 2003. Dissertação (Mestrado) - Instituto de Filosofia e Ciencias Humanas. Universidade Estadual de Campinas (UNICAMP).
GHEZZI, Daniela Ribas. Música em transe : o momento crítico da emergência da MPB (1958-1968). 2011. Tese (Doutorado) – Instituto de Filosofia e Ciências Humanas. Universidade Estadual de Campinas (UNICAMP).
LEME, Caroline Gomes. Cinema e sociedade : sobre a ditadura militar no Brasil. 2011. Dissertação (Mestrado) - Instituto de Filosofia e Ciências Humanas. Universidade Estadual de Campinas (UNICAMP).
DINIZ, Sheyla Castro. Desbundados e marginais : MPB e contracultura nos "anos de chumbo" (1969-1974). 2017. Tese (Doutorado) – Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas.
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