Art historian, Full Professor, curator and former director at the Museum of Contemporary Art of the University of São Paulo (MAC USP, 2020-2024). Member of the Brazilian Committee for Art History (CBHA) since 2000. She was editorial coordinator at Fundação Bienal de São Paulo between 2001 and 2008. She is graduated in History at the University of Campinas (UNICAMP, 1992), and took her MA in History of Art and Culture at the same institution (1995). She then did her PhD in History and Criticism of Art at the University of São Paulo (USP, 2000), and her habilitation at the same institution (USP, 2015). She is professor of the Graduate Programmes in Aesthetics Art History, and in Museology, both at the University of São Paulo. She's a ad hoc referee of FAPESP, CAPES and CNPq. She was Guest Professor at the Università degli Studi di Milano (2011), Universté Paris 8 - Saint Denis (2014), Guest Scholar at the Getty Research Institute (2016), and is now Guest Professor of the MA Programme of the Institute of Art History of the University of Vienna. (Source: Lattes Curriculum)
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This research project aims to debate methodologies in dealing with museum and documentary collections, concerning their formulations in the digital realm, as well as the prototyping of functionalities to be performed in the collections. In this sense, it encompasses three fundamental axes, which are interrelated, namely: (1) databases and their correlations with archive structures, consid…
The Museum of Contemporary Art at the University of São Paulo, through Dr. Ana Gonçalves Magalhães, is part of the Thematic Project: Digital Collections and Research: Art, Architecture and Technology - Process FAPESP 2022/05946-9, under the responsibility of Dr. Giselle Beiguelman (FAUUSP).This Thematic Project forms a platform capable of converging theoretical and methodological issues, …
The present project aims, through a systematic study, to propose and evaluate appropriate actions to be adopted for the conservation of works of art in contemporary metal, both during their routine maintenance and also, if necessary, on the occasion of more invasive interventions. To this end, based on questions that emerged during the recently completed project (Characterization and eval…
(Only some records are available in English at this moment)
The preservation of born-digital artworks involves issues related to cataloging, storage, conservation, the need for updating/restoration and the different ways in which a work can be displayed, so that the process maintains the identity of the work. When considering the Brazilian context, there are socioeconomic peculiarities that directly influence the production, dissemination and coll…
This project aims to investigate the presence of Lionello Venturi (Modena, 1885 - Rome, 1961), in South America, and in a more detailed way in Brazil, in the period from the 1940s, with the beginning of the institutionalization of modern art here, especially with the creation of the former MAM of São Paulo, until the 1960s (after the critic's death), when his name figures in numerous ways…
This research aims to investigate the works of the Santa Helena Group artists in the Francisco Matarazzo Sobrinho Collection, present in the first nucleus of the former São Paulo Museum of Modern Art (MAM SP), currently at MAC USP. The Italian acquisitions of this same first nucleus show a relationship between the values that led to art production, criticism and circulation in the 1930s a…
This project focuses on the discussion of the notion of "primitivism" in modern art, questioning its different meanings in the European artistic and cultural debate and in Brazilian Modernism, from 1860 to 1930. In order to trace a comprehensive understanding of the problem as it have been formulated by canonical historiography on modern art and by art literature in general, the project e…
(Only some records are available in English at this moment)
The aim of this project is to research the transfers of Liuba Wolf and Pola Rezende and the process of musealization of Felicia Leirner's artwork in Europe. These three sculptors from Eastern Europe (the first two from Bulgaria and the third from Poland), immigrated to Brazil in the 20th century, where they exhibited regularly. Some of his works are safeguarded nowadays by the Museum of C…
This project studies the artists of Dutch and Belgian origin present in the MAC-USP collection. I have selected 38 artworks by 26 painters from the museum's collection, born in Holland and Belgium, or related to artistic movements in these countries between 1930 and 1970. They are: Constant Permeke, Karel Appel, Pierre Alenchinsky, William Gear, Johann Gutlich, Gerrit Benner, Daniel den D…
The project to be developed during the internship period at the Bibliotheca Hertziana - Max Planck Institute for Art History in Rome will aim at studying 28 Italian paintings from the Collection of the Museum of Contemporary Art of the University of São Paulo (MAC USP), whose origin and interpretation within the largest set of modern Italian works under investigation since 2009, are still…
(Only some records are available in English at this moment)
| 1 / 1 | Ongoing grants |
| 17 / 8 | Completed research grants |
| 3 / 3 | Ongoing scholarships in Brazil |
| 18 / 14 | Completed scholarships in Brazil |
| 5 / 5 | Completed scholarships abroad |
| 44 / 31 | All research grants and scholarships |
| Associated processes | |
CV Lattes
ORCID