bachelor's at Bacharelado Em Composição Em Regência from Faculdade de Artes Alcântara Machado (1985), master's at Music from Universidade Estadual Paulista Júlio de Mesquita Filho (1998) and doctorate at History from Universidade de São Paulo (2003). Has experience in Arts, acting on the following subjects: regência, orquestra sinfônica, análise musical, carlos gomes and orquestração. (Source: Lattes Curriculum)
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Esther Scliar's "Fraseologia Musical" (Musical Phraseology), presents a rare example of this kind of work in Portuguese language. However, 30 years after its publication, we still don't have an objective evaluation of Scliar's theoretical contribution. In this project, we propose the contextualization of Scliar's thought in the subject of musical phraseology, comparing it with authors con…
The project presented here is situated in the area of music theory and corresponds to the study of discrete groupings of musical form, specifically directed to the polyphonic repertoire of pre-European tonal music. It aims to develop analytical tools related to this field of study that are operational when directed to polyphonic simultaneity, notably imitative. It searches to treat polyph…
This research is part of a project coordinated by the advisor and his research group, whose main focus is the structural and historical basis of the sixteenth-century ricerers and their very close relationship with the writing of the sixteenth-century motet. This privileged slice, both quantitatively and qualitatively of the repertoire, presents, in general, a complex polyphonic texture c…
This project focuses on the study and edition of the book Motetti, Madrigali et Canzone Francese Di diversi Eccellenti Autori à Quatro Cinque, & Sei Voci by Giovanni Bassano, 1591, showing the possibilities of performance and the diminution method proposed by the author. The original edition of the book was lost during World War II and only a manuscript copy of 1890, made by the German mu…
The present study intends to bring analytical elements from the process of inquiry of the musical elements present in treatises of musica prattica published in Italy during 1520 and 1590. By the method of rationalization of the musical practice according to the precepts of theorica music, these treatises prove significant Sources of an analytical consciousness veiled by precepts that unde…
This work proposes the study of musical rhetoric figures, considered one important musical systematization of the Baroque period, about the twelve movements of the work Gloria in D major, RV 589 (1716) by Italian composer Antonio Vivaldi (1678-1741). This project focuses on the part of the choir, taking as its starting point the important compilation of musical rhetoric present in the wor…
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The present study intends to bring analytical elements from the process of inquiry of the musical elements present in treatises of musica prattica published in Italy during 1520 and 1590. By the method of rationalization of the musical practice according to the precepts of theorica music, these treatises prove significant Sources of an analytical consciousness veiled by precepts that unde…
| 6 / 2 | Completed research grants |
| 1 / 1 | Ongoing scholarships in Brazil |
| 12 / 7 | Completed scholarships in Brazil |
| 1 / 1 | Completed scholarships abroad |
| 20 / 11 | All research grants and scholarships |
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CV Lattes
ORCID