Luiz Cesar Marques Filho

• Abstract

  Plus Ultra is a research program integrated by higher education institutions from Sao Paulo state, by other national and international similar institutions, and by some Brazilian National Heritage institutions. It aims to reforce and to increase the actions began by the project Biblioteca Cicognara - A Constituição da Tradição Clássica, Cicognara Library - The Constitution of the Classic …

  Plus ultra reception and cultural transfer of the classic art tradition between Mediterranean Europe and Latin America, AP.TEM

• Abstract

  The cicognara program, the emergence of the classical tradition is a thematic project and an initiative within the field of research into studies on the classical tradition and history, Memory and Historiography at the University of Campinas (Unicamp) History Department's Postgraduate Program IFCH/UNICAMP. It involves researchers from Unicamp, Universidade de São Paulo (USP), Universidade…

  The Cicognara Program - The Emergence of the Classical Tradition, AP.TEM

• Abstract

  The iconographic theme of the Mass of Saint Gregory, despite being common in late medieval images, is still little known and studied. This iconography depicts a Eucharistic miracle that takes place during a Mass: the apparition of Christ, most often stigmatized and wounded, to St. Gregory the Great. These images usually also present the instruments of the Passion, called Arma Christi. The…

  The iconography of the Mass of Saint Gregory: image and Eucharistic realism in late medieval France, BP.DR

• Abstract

  The present research project intends to analyse Eugène Delacroix's paintings of The Four Seasons which he executed for the Alsatian industrial and collector Frédéric Hartmann between 1856-63, reflecting on their relationship with the theme development in visual tradition and with other works by the artist. Besides, we aim to raise a discussion on the "unfinished" matter in Delacroix's cre…

  The Hartmann Four Seasons of Eugène Delacroix, BP.DR

• Abstract

  This project's purpose is to study the book Art and Anarchy, that was published in 1963 with a reprint with addenda in 1969, written by Edgar Wind (1900-1971), the German art historian who lived in the United States and later in England, whose work and teaching maintained several intersections with philosophical reflection and whose career is inextricably linked to the Warburg Institute. …

  Art and transgression in Edgar Wind: a study on the conceptual armature and reception of Art and Anarchy (1963), BP.MS

(Only some records are available in English at this moment)

• Abstract

  Still little studied the iconography of the Mass of Saint Gregory is the theme of our doctoral research. It is our objective, through the analysis of a corpus of images produced in France at the late Middle Ages, to study the relations of this iconography with the reaffirmation of the Eucharistic realism. Therefore, it is of fundamental importance a research internship to be held at the U…

  The iconography of the Mass of Saint Gregory in France: images and Eucharistic realism in the late Middle Ages, BE.EP.DR

• Abstract

  The present research project intends to analyse Eugène Delacroix's paintings of The Four Seasons which he executed for the Alsatian industrial and collector Frédéric Hartmann between 1856-63, reflecting on their relationship with the theme development in visual tradition and with other works by the artist. Besides, we aim to raise a discussion on the "unfinished" matter in Delacroix's cre…

  The Hartmann Four Seasons of Eugène Delacroix, BE.EP.DR

• Abstract

  The 1960's broadcasted BBC Reith Lectures, later published as Art and Anarchy (1963), aimed to criticize the production and reception of art in the modern age. Its essential premise is that modern art, as it forsook its former transcendental ideals, became external to the central needs of men, thus marginalizing itself. Its lecturer, the German philosopher and art historian Edgar Wind (19…

  The 1960's Reith Lectures and the Writing of Art and Anarchy (1963) by Edgar Wind, BE.EP.MS

(Only some records are available in English at this moment)