CV Lattes
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Universidade de São Paulo (USP). Escola de Artes, Ciências e Humanidades (EACH) (Institutional affiliation from the last research proposal) Birthplace: Brazil
Professor-Doctor at EACH/USP, in the Textile and Fashion Bachelor's degree (TM). PhD in Architecture and Urbanism (Design), from FAU/USP. Master of Arts from IA/UNESP. Graduated Professor with Full Degree in Art Education and qualified in Fine Arts by IA/UNESP (MEC-LP 9611240 Professional Registration). Former FAPESP scholarship holder (DR, MS, and IC). Accredited Full Supervisor in the PPGTM-EACH/USP. Responsible for Postgraduate (Sustainable Development in Art and Design) and Undergraduate (Colorimetry, Ergonomics, Drawing, and Visual Language) courses, as well as electives. Coordinated one of the university teams in the Rondon Project-Ministry of Defense (2012 edict) - Capim Santo Operation (Tocantins-Palmeirante - N region, Brazil). Conducts Extension and Culture work in the UATI-EACH/USP-Leste Program (Art, Memory, and Solidarity). Research line: The social role of art and design in education and culture. Coordinates GEPARD - Research Group on Art, Design, and Revolution Education. Areas of interest: art and design education (and its relations with drawing technologies, solidarity economy, popular art, human rights); project methodology; aesthetics and history of modern art, sociology of art. ORCID: https://orcid.org/0000-0003-0806-153X (Source: Lattes Curriculum)
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It is proposed case study from the approach to the design of textile surfaces on the handloom weaving, natural dyes based on the Cerrado region in Carmo, Rio Claro-FURNAS. It is noted in this context major application of traditional handloom technology coupled with the use of fibers. This know-how, passed down orally, represents significant fraction of the regional economy and to a large …
The paper deals with a case study of the Gunta Stolzl's work as director of the Bauhaus Weaving Workshop (1919-1933). The work shop was made of basically female students that, despite the adversities, passed down great conceptual and methodological contributions to the modern field of textile design. Weaving was considered a feminine and inferior art, and through the years, got less atten…
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