Full Professor at Unesp (State University of São Paulo). Graduate at Bacharelado in Musical Composition at the Universidade de São Paulo (USP, 1985), master's in Elektronische Komposition at the Musikhochschule Köln (Germany, 1989) and Ph.d. in Arts et Sciences de la Musique (Musicology) at the Université de l'État of Liège (Belgium, 1992). Has experience in Arts, focusing on Musical Composition, acting on the following subjects: Electroacoustic Composition, New Music, Contemporary Harmony, Philosophy of Music. (Source: Lattes Curriculum)
| News published in Agência FAPESP Newsletter about the researcher |
| More itemsLess items |
| TITULO |
| Articles published in other media outlets ( ): |
| More itemsLess items |
| VEICULO: TITULO (DATA) |
| VEICULO: TITULO (DATA) |
The book is about the work of one of the greatest icons of the 20th century musical vanguard: Karlheinz Stockhausen (1928-2007). The fundamental objective is to ground the chronological approach of Stockhausen's works and main achievements through a detailed discussion of his poetics and analysis of the main works of his entire life.The book is divided into 3 parts, addressing the 3 most …
This thematic project, congregating two of the most important musical institutions in Brazil, both at the Institute of the Arts at the State University of São Paulo (UNESP) - the Studio PANaroma of Electroacoustic Music and the PIAP ensemble -, aims: the spectral analysis of the most important instruments belonging to the percussion/resonance category under the prism of harmonicity and in…
Evento com a participação de grandes nomes históricos da Música Eletroacústica internacional, como Risset (pioneiro da Música Computacional), Vaggione (expoente da Composição Algorítimica) e Parmerud (um dos principais compositores da área). (AU)
(Only some records are available in English at this moment)
This research aims to fulfil the need for an analytical method regarding the issue of extrinsic referentiality in acousmatic music, that is, the ability that acousmatic sounds have to reference objects, actions and spaces through spectral similarity, the imitation of behaviours, and spatial simulation. It is posited that the available methods and analytic principles either depart from a p…
This research proposal tries to understand the role of mixed music with live electronics in the dialogue between the realms of instrumental and electronic music. The evolution of this repertoire is full of different and unique musical approaches to think the relationship between musical material and electronic means that are used to extend its possibilities. Furthermore, research institut…
This Thematic Project, congregating two of the most important musical institutions in Brazil,both at the Institute of the Arts at the State University of São Paulo (Unesp) - the StudioPANaroma of Electroacoustic Music and the PIAP ensemble -, aims: the spectral analysis of themost important instruments belonging to the percussion/resonance category under the prism ofharmonicity and inharm…
(Only some records are available in English at this moment)
Propõe-se desenvolver pesquisa sobre a música eletroacústica mista em tempo real usando os programas Max/MSP e PD (Purê Data). Após mais de 20 anos de experiência na área, constatou-se que o mais versátil programa na área da composição eletroacústica é precisamente o programa Max/MSP. Escrito por Miller Puckette, que desenvolve atualmente uma versão não-comercial deste programa, intitulad…
A pesquisa terá como objetivo vários aspectos: 1) análise do amplo repertório eletroacústico do acervo desta instituição, rico em fontes históricas, enfocando a espacialidade e sua evolução histórica; 2) pesquisa acerca dos dispositivos constantes naquele Instituto que constituem recurso tecnológico para a difusão eletroacústica e desenvolvimento de aplicativos composicionais para serem i…
O Projeto centra questão na espacialidade na composição musical, com ênfase especial na música eletroacústica. O centro de excelência no qual a maior parte da pesquisa será desenvolvido, envolvendo um projeto de composição, será o prestigioso Studio für elektronische Musik de Colônia, sob direção de Hans Humpert. Imediatamente anterior ao início dessas atividades, passarei por dois núcleo…
(Only some records are available in English at this moment)
CV Lattes
ORCID