Marcio Benchimol Barros

• II Internacional Congress of the Iberoamerican Net of Nietzschean Studies RIen, AR.EXT

• Abstract

  This study aims to present the development of philosophical aesthetic thought of Friedrich Schiller (1759-1805) about the tragedy from the two elements relationship: the tragic chorus and the sublime. Regarding the tragic art, Schiller attached great importance to the feeling of the sublime by it triggered, so, according to the philosopher, the sublime is able to raise man on the antagoni…

  The relationship between choir and sublime in the conception of tragedy Friedrich Schiller, BP.IC

• Abstract

  Human, All Too Human (1878) represents the beginning of the phase in which the Nietzsche philosophy (1844 - 1900) breaks up with their former and major influences: Schopenhauer and, mostly Wagner. Regarding to the art, this "destructive" time of Nietzsche's philosophy becomes to criticize the musician (genius) deification and also the music concept as an ineffable language (expression of …

  THE MUSIC IN THE SECOND NIETZSCHE, BP.MS

• Abstract

  From the various allegations made by Friedrich Nietzsche (1844 - 1900) in O Caso Wagner (Der Fall Wagner, 1888) to the composer, writer and theorist Richard Wagner (1813-1883) we can penetrate inside the Nietzschean critique to the constituent elements of the Wagnerian dramas, taking as theoretical support for the effectuation of these complaints the concept of décadence. That's because i…

  The art of hypnosis: Friedrich Nietzsche against the aesthetics of decadence by Richard Wagner, BP.IC

(Only some records are available in English at this moment)

• Abstract

  This research project aims at investigating the problem of culture in the philosophy of the young Nietzsche, taking into account its articulation, at the one hand, with his ideas about the human being, and on the other hand, with his thinking about society. At this study, the analysis of The birth of Tragedy" will play a central role. That work will be considerated under a double point of…

  Culture, human being and society in the philosophy of the young Nietzsche, BE.PQ

• Abstract

  The main goal of my project is to undertake a serious investigation about the relations between Schopenhauer's aesthetics and the aesthetic ideas that were typical to the artistic-philosophical movement known as German Classicism, especially in regard to three of it's most representative figures, namely, Winckelmann, Schiller and Goethe. That goal will be pursued through: 1) a historical-…

  The aesthetics of Schopenhauer in the context of German Classicism, BE.PQ