Master and PhD at State University of São Paulo (Universidade de São Paulo); habilitation at the State University of Campinas (Universidade Estadual de Campinas); coordinator, during 13 years, of the research group in acting - LUME Núcleo Interdisciplinar de Pesquisas Teatrais, Campinas-SP-Brazil; published 20 books; selected, organized and studied 2 more books; 1 co-organization plus article; 154 articles; 2 traduced into Japanese; 1 into German; 4 into Spanish; 1 into French; invited professor at the University of Köln, Germany, during 3 semesters. Has experience in Language, focusing on Literary Theory, acting on the following subjects: hermeneutics, Brazilian Literature, João Guimarães Rosa, theatre, memory, actor's art. (Source: Lattes Curriculum)
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Let us depart from a principle which is present in contemporary thinking: the art of the agent of performing arts - an actor, a dancer or a performer - is located in the area of acting as materiality of his body. The materiality of the body strengthens the performative terrain and generates within this action possible escape routes for the relations of representation from pre-established …
(Only some records are available in English at this moment)
This work consists of three analytical units. The first unit concerns the analysis of the philosophical principles of Louis-Ferdinand Céline's style, from both his epistle, Voyage au bout de la nuit and Mort à Crédit. In addition to the remarkable literary dimension that stands out immediately when reading his letters, the metaliterary aspect that Céline uses to talk about concepts that a…
Lewis Carroll in Alice's Adventures in Wonderland and Through the looking-glass presents us with a work full of mazes, puzzles, and parodies that form itself through word games and logic "disorganized", the logic inside out, inversion. The narrative is structured at a morphological level on paradoxes and portmanteau words, painted by fun and colorful language, unusual character characteri…
This PhD proposal aims at furthering a research in which I appropriate some of the procedures of body mimesis related to actor training and the creation of art characters and plays (performing arts).Its subject is the analysis of the processes in which the character Isabelita and a play named after her were created by Cia. Berro d'Água from 2005 to 2008. I have taken part in them as an ac…
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In the course of the internship abroad, the intention is to offer a more refined analysis of two of the works of Louis-Ferdinand Céline elected as work scope. Thus, for Voyage's approach, one takes into account the relationship between the use of irony and sarcasm, and the political discourses that appear in the novel. The analysis intends to offer an overview of style procedures, from wh…
The Elizabethan plays written during last decade of the XVIth century are generally very concerned with English history. It is important to remember, however, that the era which is so often depicted in these plays, such as Richard II and Richard III, was very distant from the contemporary audience in Tudor England. The history of that illustrious family, the Tudors, remains very popular t…
One of the most problematizing key elements in the speculative and fantastic fiction - in a perspective that sets a specifically mark in the history, a literature form that starts at the end of the eighteenth century -, recognized for his many analysts, is the tension between the standard, the everyday life and its randomness conventional and the disturbing shift that moves through the cr…
(Only some records are available in English at this moment)
| 22 / 5 | Completed research grants |
| 42 / 12 | Completed scholarships in Brazil |
| 5 / 5 | Completed scholarships abroad |
| 69 / 22 | All research grants and scholarships |
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CV Lattes
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