Mauricio Funcia de Bonis

• Abstract

  This research project proposes a study over arrangements of the soundtrack from videogames of the franchise Touhou Project through the bias of Charles S. Peirce's semiotic, understanding the arrange as a member of the semiotic chain of Sign, Object and interpretant where it functions as a sign that substitutes the object soundtrack, having extra-musical content as its interpretant. That w…

  The doujinshi arrange as a semiotic process: a case study over arrangements of the soundtrack of the videogame franchise Touhou project, BP.IC

• Abstract

  This research seeks to analyze the parameters that set forth the composition and structure of the piece Tales from Topographic Oceans, which is divided into four movements, written in 1973 and since performed by the progressive rock band Yes. This album, as much as a great part of the repertoire produced under the definition of progressive rock, is known by its musical complexity, congreg…

  Tales from Topographic Oceans: metalanguage in progressive rock analysis, BP.IC

• Abstract

  In the second half of the twentieth century, artists and intellectuals strongly discussed about the relationship between the poetic performance (creative) of the artist and his influence on the political and ideological social field. In this context, the English composer Cornelius Cardew (1936 - 1981) is noted for developing a compositional and theoretical work of critical and self-critic…

  The Avant-Garde Music Serves Imperialism(?) : the relation between music and ideology in the trajectory of Cornelius Cardew between the decades of 1960 and 1970, BP.MS

(Only some records are available in English at this moment)