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Universidade Estadual Paulista (UNESP). Campus de São Paulo. Instituto de Artes (IA) (Institutional affiliation from the last research proposal) Birthplace: Brazil
Gabriel Francisco Lemos is a composer, sound artist and teacher. Graduated in Visual Arts at Centro Universitário Belas Artes e Composition at UNESP, in 2018 he obtained the title of Master in Musicology and Aesthetics at Instituto de Artes UNESP, with support from FAPESP. He has performed and had compositions premiered at several festivals and events in Brazil, London, Chile, Monaco and Portugal. Between 2013 and 2016, he collaborated with the Percussion Group of the University of São Paulo (PIAP), composing percussion pieces for ensemble and organizing concerts. Currently he works at the intersection between instrumental, electronic composition and sound art in different contexts. Together with the Art and Artificial Intelligence Group (G.A.I.A - Inova USP) he develops projects that combine computer vision, sound synthesis and algorithmic musical composition. (Source: Lattes Curriculum)
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In the second half of the twentieth century, artists and intellectuals strongly discussed about the relationship between the poetic performance (creative) of the artist and his influence on the political and ideological social field. In this context, the English composer Cornelius Cardew (1936 - 1981) is noted for developing a compositional and theoretical work of critical and self-critic…
The present bibliographic research with analytical and comparative approach about the production of Cornelius Cardew (1936 - 1981), aims at mapping and selecting theoretical material which, through a semiotics point of view, contributes to the enlargement of the possibilities of comprehending the composer's work during the 1960`s period. Therefore, the objective of the research has been r…
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