Caroline is a p.h.D student in Foreign Lettres and Translation at the University of São Paulo. She holds a Master (2019) and an Undergraduate (2016) Degree from the same university, with an exchange semester at the Sorbonne Université in 2015-2016 and another one in 2018-2019. Her undergraduate and master research were sponsored by FAPESP (processes 2014/23689-7, 2017/13677-0, and BEPE 2018/10744-0), under the supervision of Álvaro Faleiros and Bertrand Marchal. She has been a part of the Translation in Relation Group of Studies (coordinated by Faleiros) since 2015. As a translator, her work has concerned both technical and literary material, based on the pairs en-pt, fr-pt, spa-pt, pt-en, and pt-fr. Part of Non Plus Journal since 2018, she currently acts as a translator and a proofreader. She edited Cisma Journal (Literary Criticism and Translation) from 2014 to 2016 and proofread for TradTerm Journal (Translation and Terminology) from 2016 to 2017. In 2017, Caroline took part on the All Over 5 Festival of Brazilian Poetry & Cuisine in New York. For several years now, she has written prefaces, reviews, and postfaces for Brazilian contemporary poets. Her fields of expertise are Poetry and Translation - mainly Literary Translation, French Poetry (XIXth and XXth), (Re)translation, Literary Reception and Brazilian Contemporary Poetry. Her research about Stéphane Mallarmé has been carried out since 2014. E-mail: carolinemicaelia@hotmail.com or caroline.micaelia@usp.br (Source: Lattes Curriculum)
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The late-1990's represent a paradigm shift for Mallarmean Studies - the poet's documentation is finally made available in full and a metacritical posture toward his oeuvre's reception rises in the horizon. As we give this change a thought, we can as well question the absence of a (re)translation approach within the most recent international debates regarding Mallarmé. To do so, a first st…
This project aims to present (re)translations of two important texts written by Stéphane Mallarmé, La Musique et les Lettres (1894) and "The Impressionists and Édouard Manet" (1876), both still unprecedented in Portuguese language: that one, a critical-poem of great technical complexity, from which was borrowed a paragraph of "Crise de vers", another central work signed by the poet; this …
On his critical poem "Crise de vers", Stéphane Mallarmé will discuss the recent back in the final years of the XIXth century reflections and tensions around the problems related to verse and poetry, as well as the matter of language as a place of crisis. Right in the beginning of the XXIst century, under a critical context that has been relocating the contemporary interpretations about th…
This internship in France was conceived as a crucial step of our doctoral research, which will lead to the thesis A 21st Century Mallarmé (or Reading (re)translation as relation and crisis). It will, indeed, allow us access to research material that is inexistent, inaccessible, or hardly found in Brazil. The main titles we have previously selected include some rare works of Mallarmean cri…
This research aims to access a fundamental bibliography in order to develop the ongoing Master's dissertation titled "Mallarmé in the space of an art of time: painting, music and poetry in two translations". During the internship, the main goal is to read: 1) books about the relations between painting, music and letters in Mallarmé's works; 2) studies concerning the poet's critic prose; 3…
| 3 / 3 | Completed scholarships in Brazil |
| 2 / 2 | Completed scholarships abroad |
| 5 / 5 | All Scholarships |
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