Abstract
This Project aims at analyzing the process of intermodal transmodalization of the aria Habanera, in Bizet's opera Carmen (1875) to Stromae's videoclip Carmen (2015). The project will have as a basis for its theoretical framework the concepts of textual genre, as expressed by Bakhtin (2010), Koch and Elias (2012) and Marcuschi (2008); multimodality, as formulated by Dionisio (2010), Lebrun…