graduation at Licenciatura em Letras - Português e Espanhol from Universidade de São Paulo (2019) and graduation at Letras from Universidade de São Paulo (2019). Has experience in Language, acting on the following subjects: teatro hispano-americano, história da cultura, literatura e sociedade, poesia e experiência urbana and educação. (Source: Lattes Curriculum)
| News published in Agência FAPESP Newsletter about the researcher |
| More itemsLess items |
| TITULO |
| Articles published in other media outlets ( ): |
| More itemsLess items |
| VEICULO: TITULO (DATA) |
| VEICULO: TITULO (DATA) |
The present work seeks to comparatively analyze three Spanish-American plays from the beginning of the 19th century: Camila, o la patriota de Sudamérica de Camilo Henríquez (1817), Tupac Amaru by Luís Ambrósio Morante (1821) and La Pola by José Domínguez Roche (1826). Aiming to comprehend the relations between theater and politics during the Spanish American wars of independence, I start …
The present work aims to analyze comparatively three Hispanic-American plays from the early 19th century: Camila, la patriota de Sudamérica by Camilo Henríquez (1817), Tupac Amaru by Luís Ambrósio Morante (1821), and La Pola by José Domínguez Roche (1826). The project pursue to investigate both aesthetic and ideological connections that the pieces establish when compared to programmatics …
The Argentinean Griselda Gambaro (1928-) and the Chilean Jorge Díaz (1930-2007), are on the list of the most celebrated playwrights of the twentieth-century Spanish-American theater. Both began their trajectories in the 1960s, and each in its own way deals with issues related such as violence and contradictions stemming from social inequality in its most perverse aspects. This project int…
This research project, by characterizing the theatrical repertoires in Buenos Aires between 1783 (the building of the first coliseum) and 1826 (ending point of interest for the main project), seeks to understand the composition of theatrical repertoires in the region, analyzing sources such as: a) theatrical librettos of original and translated works; b) manuscript plays, especially those…
It is common to use avant-garde as a category to think upon the theatre from the second half of the 20th Century. In French drama it became commonsense when referring to the so-called "theatre of the absurd" and in Hispanic American theatrical historiography, the term also spread. The work of important authors from the period, such as the Chilean Jorge Díaz (1930-2007) and the Argentinean…
| 3 | Completed scholarships in Brazil |
| 2 | Completed scholarships abroad |
| 5 | All Scholarships |
| Associated processes | |
CV Lattes
ORCID