CV Lattes
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Universidade de São Paulo (USP). Escola de Comunicações e Artes (ECA) (Institutional affiliation from the last research proposal) Birthplace: Brazil
graduate at Percussão from Universidade Estadual Paulista Júlio de Mesquita Filho (1988), master's at Comunication from Pontifícia Universidade Católica de São Paulo (1992) and ph.d. at Comunication from Pontifícia Universidade Católica de São Paulo (1997). Has experience in Arts, focusing on Music and Technology and Sound Studies, acting on the following subjects: Sound Studies, music and technology, experimental music, and musical acoustics. (Source: Lattes Curriculum)
| Articles published in Pesquisa FAPESP Magazine about the researcher: |
| Noise, Brazilian style |
| Ruidos a la brasileña |
| Seeing sounds and hearing movements |
| Para ver sonidos y escuchar movimientos |
| Seeing Sounds and hearing movements |
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| News published in Agência FAPESP Newsletter about the researcher |
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| TITULO |
| Articles published in other media outlets ( ): |
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| VEICULO: TITULO (DATA) |
| VEICULO: TITULO (DATA) |
(Only some records are available in English at this moment)
This project will address the correspondence of the experimentalists from the first half of the twentieth century to deconstruct the interpretative possibility of a messianic aspect that the figure of Henry Cowell may represent in the formation of experimental aesthetics, as well as to explore the link between the transcendentalist philosophy in the construction of the American experiment…
In this project, we propose an investigation of the artistic practice of field recording in the contexts of Brazilian experimental music and sound art. We use the expression "field recording" as a way to designate a particular type of artistic production that has developed internationally over the last three decades, therefore distinguishing it from more general conceptions of the same te…
This project focuses on a specific area of experimental music that we shall call non-ficcional music, borrowing the expression from its use in Jennie Gottschalk s 2016 book Experimental Music Since 1970. For the delimitation of our object, we shall develop an analogy with the opposition between fiction and documentary in cinema. Inside this sub-area of experimental music, we wish to under…
The advent of the new technologies and the incorporation of electronic devices by music brought back the relation between the gesture and the physicality of the performer and its apprehension by the spectator public. Moreover, it can be said that from the twentieth century beyond, music becomes more and more interested in the corporeality of musicians and the materiality of musical instru…
This project proposes an analysis of the first videogame consoles music, highlighting its characteristic sound qualities. This music gave origin to the music genre known as chiptune, common to present days. Therefore, this work seeks to investigate the current interest in composing this kind of music, and its influence on the construction of an aesthetics in videogame soundtracks. The mat…
(Only some records are available in English at this moment)
This project will address the correspondence of the experimentalists from the first half of the twentieth century to deconstruct the interpretative possibility of a messianic aspect that the figure of Henry Cowell may represent in the formation of experimental aesthetics, as well as to explore the link between the transcendentalist philosophy in the construction of the American experiment…
In this internship, we will examine how the documentary potential of field recording has been employed by contemporary Brazilian sound artists in order to produce socially and politically engaged sonic artworks. Four field recordists have been selected as our case studies: Marco Scarassatti, Paulo Dantas, Raquel Stolf and Thelmo Cristovam. An approach based on recent Sound Studies theory …
This project proposes the analysis of four pieces from both North and South-American musicians and sound artists which, through different means, imply a compositional act of listening. Among the many different practices in which this might occur, our research emphasizes artistic practices which creatively engage listening of the everyday sounds that surround the listener, considering the …
(Only some records are available in English at this moment)
| 13 / 7 | Completed research grants |
| 2 / 2 | Ongoing scholarships in Brazil |
| 26 / 14 | Completed scholarships in Brazil |
| 7 / 6 | Completed scholarships abroad |
| 48 / 29 | All research grants and scholarships |
| Associated processes | |