CV Lattes
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Universidade de São Paulo (USP). Escola de Comunicações e Artes (ECA) (Institutional affiliation for the last research proposal) Birthplace: Brazil
graduate at Percussão from Universidade Estadual Paulista Júlio de Mesquita Filho (1988), master's at Comunication from Pontifícia Universidade Católica de São Paulo (1992) and ph.d. at Comunication from Pontifícia Universidade Católica de São Paulo (1997). Has experience in Arts, focusing on Music and Technology and Sound Studies, acting on the following subjects: Sound Studies, music and technology, experimental music, and musical acoustics. (Source: Lattes Curriculum)
| Articles published in Pesquisa FAPESP Magazine about the researcher: |
| Noise, Brazilian style |
| Ruidos a la brasileña |
| Seeing sounds and hearing movements |
| Para ver sonidos y escuchar movimientos |
| Seeing Sounds and hearing movements |
| News published in Agência FAPESP Newsletter about the researcher |
| TITULO |
| Articles published in other media outlets (0 total): |
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| VEICULO: TITULO (DATA) |
| VEICULO: TITULO (DATA) |
(Only some records are available in English at this moment)
This project focuses on a specific area of experimental music that we shall call non-ficcional music, borrowing the expression from its use in Jennie Gottschalk s 2016 book Experimental Music Since 1970. For the delimitation of our object, we shall develop an analogy with the opposition between fiction and documentary in cinema. Inside this sub-area of experimental music, we wish to under…
The advent of the new technologies and the incorporation of electronic devices by music brought back the relation between the gesture and the physicality of the performer and its apprehension by the spectator public. Moreover, it can be said that from the twentieth century beyond, music becomes more and more interested in the corporeality of musicians and the materiality of musical instru…
This project proposes an analysis of the first videogame consoles music, highlighting its characteristic sound qualities. This music gave origin to the music genre known as chiptune, common to present days. Therefore, this work seeks to investigate the current interest in composing this kind of music, and its influence on the construction of an aesthetics in videogame soundtracks. The mat…
(Only some records are available in English at this moment)
This project proposes the analysis of four pieces from both North and South-American musicians and sound artists which, through different means, imply a compositional act of listening. Among the many different practices in which this might occur, our research emphasizes artistic practices which creatively engage listening of the everyday sounds that surround the listener, considering the …
This proposal refers to an internship at CIRMMT - Centre for Interdisciplinary Research in Music Media and Technology at McGill University, supervised by CIRMMT's Director, professor Marcelo Wanderley. The internship is scheduled to happen from January 19 to March 20, 2015. The main goal is to study the relationship between artistic experimentation and the concept of experiment within the…
In recent decades, room acoustics has undergone considerable progress thanks to the evolution of techniques and equipment available. As this is a highly experimental area, new technical procedures have a decisive impact on lines of action, accuracy and the sophistication degree of processes involved. These developments lead to new results and interpretations that spur the world of room ac…
(Only some records are available in English at this moment)
| 13 / 7 | Completed research grants |
| 26 / 14 | Completed scholarships in Brazil |
| 5 / 4 | Completed scholarships abroad |
| 44 / 25 | All research grants and scholarships |
| Associated processes | |
(References retrieved automatically from Web of Science and SciELO through information on FAPESP grants and their corresponding numbers as mentioned in the publications by the authors)
MARCELO QUEIROZ; FERNANDO IAZZETTA; FABIO KON; MÁRCIO HENRIQUE A. GOMES; FÁBIO L. FIGUEIREDO; BRUNO MASIERO; LEO K. UEDA; LUCIANA DIAS; MÁRIO HENRIQUE C. TORRES; LEANDRO F. THOMAZ. AcMus: an open, integrated platform for room acoustics research. Journal of the Brazilian Computer Society, v. 14, n. 3, p. 87-103, Set. 2008. (02/02678-0)
(References retrieved automatically from State of São Paulo Research Institutions)
ARANGO, Julian Jaramillo. Network Music: criação e performance musical colaborativa no âmbito das redes de informação. Tese (Doutorado) - Escola de Comunicações e Artes. Universidade de São Paulo (USP). São Paulo. (10/12514-0)
SILVA, Lílian Campesato Custódio da. Arte sonora: uma metamorfose das musas. Dissertação (Mestrado) - Escola de Comunicações e Artes. Universidade de São Paulo (USP). São Paulo. (05/52397-5)
OBICI, Giuliano Lamberti. Gambiarra e experimentalismo sonoro. Tese (Doutorado) - Escola de Comunicações e Artes. Universidade de São Paulo (USP). São Paulo. (11/01874-9)
COELHO, Fabiana Moura. A influência da configuração do trato vocal na sonoridade da flauta. Tese (Doutorado) - Escola de Comunicações e Artes. Universidade de São Paulo (USP). São Paulo. (10/06510-2)
BANDEIRA, André Damião. Música móvel crítica. Dissertação (Mestrado) - Escola de Comunicações e Artes. Universidade de São Paulo (USP). São Paulo. (13/08763-3)
FIGUEIREDO, Fábio Leão. "Parâmetros acústicos subjetivos: critérios para avaliação da qualidade acústica de salas de música". Dissertação (Mestrado) - Escola de Comunicações e Artes. Universidade de São Paulo (USP). São Paulo. (02/10660-3)