CV Lattes
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Universidade de São Paulo (USP). Escola de Comunicações e Artes (ECA) (Institutional affiliation from the last research proposal) Birthplace: Brazil
PhD candidate in Historical Musicology at the University of São Paulo (2024-). He was a visiting researcher at the Institute of Musicology at the University of Vienna (2022-2023). Master in Historical Musicology from the University of São Paulo (2023). Bachelor in Music from São Paulo State University Júlio de Mesquita Filho (2020). Currently, his research examines how Joseph Johann Fux sought to reconcile the tradition of the 'stile antico' with the new compositional techniques of the 17th and early 18th centuries. His research is being funded by the São Paulo Research Foundation (FAPESP). (Source: Lattes Curriculum)
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The musical production spanning from the late 18th century to the early 20th century conferred upon Austria, the center of the Counter-Reformation Germanic world, a central position as a field of musical studies. However, there are still very few studies specifically dedicated to Austrian musical production before Haydn. Nevertheless, it is a relevant subject of study, as it points out hi…
This work aims to investigate and analyze how the social and religious transformations of the second half of the 17th century influenced musical productions in Austria during Leopold Is reign (1658-1705). The chosen period for the the present work is related to the fact that Leopold I was responsible for promoting Austria to a important musical center, which was connected not only to the …
The impact caused by the numerous religious conflicts in the German in territories during the seventeenth century led to a radical change in the musical thought of the time. This paper proposes to investigate how the Counter-Reformation influenced the musical life in the Catholic Germanic States between 1648 (end of the Thirty Years War) and 1705(year of the death of Leopoldo I, Emperor o…
Due to the Jesuit education of Emperor Leopold I (1658-1705) and his particular involvement with music composition, the second half of the 17th century and the early 18th century were marked by the intensification of the patronage of fully sung Jesuit dramas in Austrian lands. Taking into account the international recognition of Austrian music during that period and the importance of full…
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