Abstract
The present project seeks to produce a set of academic products that aim to solidify the theoretical and methodological bases of what can be understood as epistemological prosodization (TATIT, 2019). Building on the musical influence that the French aestheticist and musicologist Gisèle Brelet (1915-1973) exerted on the consolidation of Claude Zilberberg's (1938-2018) tensive semiotics, we…