Abstract
Visiting professor and researcher Christophe Damour to teach in a PHD course, conferences and lectures. (AU)
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Pedro Maciel Guimarães Junior
CV Lattes
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Universidade Estadual de Campinas (UNICAMP). Instituto de Artes (IA) (Institutional affiliation from the last research proposal) Birthplace: Brazil
Professor of Cinema Departament in Unicamp. Graduate at Artes do Espetaculo Estudos Cinematograficos e Aud from Universite de Paris III (Sorbonne-Nouvelle) (2002) and graduate at Comunicação Social Jornalismo from Pontifícia Universidade Católica de Minas Gerais (1998). Has experience in Arts, acting on the following subjects: historia do cinema, cinema brasileiro, cinema americano, autores do cinema brasileiro and estética do cinema. (Source: Lattes Curriculum)
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Research grants
- Acting theories in film and television, AV.EXT
- Actor as fim form, AP.R
Abstract
This research aims to investigate the implications of the formal work of the actor in the audiovisual media (film and television), making a historiography of the various forms of acting and proceeding to esthetic analyzes on the performance. It starts from the principle that the body and persona of the actor influences in the composition of the creative process of the audiovisual work and…
Scholarships in Brazil
- Generic formations in contemporary Latin-American crime film, BP.DR
Abstract
This research project proposes a study of the production, distribution, and reception of crime films in Argentina, Brazil, and Mexico, from the perspective of the world-systems analysis, which divides the global production into center, semi-periphery and periphery, since the year 2000 to the contemporary. We will use the referred world-systems perspective, formulated by Immanuel Wallerste…
- Contemporary Brazilian screen performances: from the mimetic to the ontological relationship between actors and characters, BP.DR
Abstract
This research aims a reflection on the analysis of screen performances in contemporary Brazilian cinema based on the question about the forms of appearance of actors in this period, focusing on the decade of 2010's, in which Brazilian cinema, after significant structural development, gains strength in quantity and variety of productions and expands the dialogue with other media, such as t…
- Appropriations of melodrama in contemporary Brazilian cinema, BP.DR
Abstract
After the period known as Brazilian cinema Retaken, between 1994 and 2003, Brazilian cinema found a stable production structure compared to previous years. This allowed the renewal of an independent and authorial segment. Cinema as established in those years, between chronicles of customs, light comedies, historical dramas and crime films, was mostly settled from a naturalist-realistic re…
(Only some records are available in English at this moment)
- Por uma análise d' O Discurso Cinematográfico: uma aproximação do tensionamento entre os conceitos de transparência e opacidade na análise do discurso e na teoria do cinema de Ismail Xavier, BP.IC
Abstract
This research departs from the hypothesis that there is a accordance between Ismail Xavier's film theory and the disciplinary field of the discourse analysis. To verify the hypothesis we propose to draw relation lines between the use of the concepts of "transparency" and "opacity" in the works of Xavier and in discourse analysis, aiming to comprehend the similarities and divergences in th…
- The poetics of low budget in the Brazilian independent horror, BP.IC
Abstract
This research proposes to analyze a set of national films independent of the horror genre, through a theoretical perspective based on the poetic of Bordwell, in how the low budget and the production methods of the national chain end up being encompassed in the aesthetics of the films. The Brazilian audiovisual is fomented through public policies and incentive laws, because it is a process…
Scholarships abroad
- The issue of the people in the brasilian cinematic melodrama, BE.EP.DR
Abstract
In her book Le mélodrame dans le cinéma contemporain, Françoise Zamour proposes an analysis methodology for melodrama based on the discipline of history. His theory is that melodrama is the privileged genre to deal with the people as a theme and addressee simultaneously. Dealing with the difficult and problematic concept of the people, Zamour resorts to the context of the French Revolutio…
Total / Available in English
| 3 / 2 | Completed research grants |
| 4 / 4 | Ongoing scholarships in Brazil |
| 3 / 2 | Completed scholarships in Brazil |
| 1 / 1 | Ongoing scholarships abroad |
| 11 / 9 | All research grants and scholarships |
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