CV Lattes
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Universidade de São Paulo (USP). Faculdade de Filosofia, Letras e Ciências Humanas (FFLCH) (Institutional affiliation from the last research proposal) Birthplace: Brazil
Rose Satiko Gitirana Hikiji is a professor of the Department of Anthropology at the University of São Paulo (USP) since 2005. Vice-coordinator of LISA (Laboratory of Image and Sound in Anthropology at USP). She is also the coordinator of PAM (group of research in musical anthropology), vice-coordinator of GRAVI (Group of Visual Anthropology) and member of NAPEDRA (Nucleous of Anthropology, Performance and Drama). Visiting scholar at SOAS - University of London in 2017 and visiting researcher at the University of Siena (Italy), from September 2021 to February 2022.Author of the books Imagem-violência - Etnografia de um cinema provocador (Terceiro Nome, 2013) and A música e o risco (Edusp/Fapesp, 2006), co-author of Lá do Leste (Humanitas, 2013), and co-editor of A experiência da imagem na etnografia (Terceiro Nome, 2016), Bixiga em Artes e Ofícios (Edusp, 2014), Antropologia e Performance (Terceiro Nome, 2013), Escrituras da Imagem (Edusp, 2004) e Imagem-Conhecimento (Papirus, 2009). She has made diverse ethnographic films, including "Afro-Sampas"(2020), Woya Hayi Mawe - Where are you going to? (2018) and Tabuluja (2017), both co-directed with Jasper Chalcraft, Violão-Canção: Brazilian Soul (2016; with Chico Saraiva), The Eagle (2015, with Alexandre Boudreault-Fournier), Fabrik Funk (2015, with Alexandre Boudreault-Fournier and Sylvia Caiuby Novaes), Art and the Street (2011, with Carolina Caffe), Quebrada's cinema (2008) and the webdocs Lá do Leste (ladoleste.org) and Bixiga em Artes e ofícios (www.yayabixiga.com.br).She was the vice-director of Centro de Preservação Cultural (CPC-USP) (2010-2014) and member of the editorial board of the journals Revista CPC (2010-2014), Revista de Antropologia (2007-2010) and Sexta-Feira - Antropologia, Artes e Humanidades (1997-2006). She's member of the editorial board of GIS - Gesture, Image and Sound - Journal of Anthropology and of JAVEM - Journal of Audiovisual Ethnomusicology,.Currently she conducts the research project Being/Becoming African in Brazil, in the Tematic Project "Local Musicking - New pathways for ethnomusicology" (Fapesp grant 2016/05318-7), in which she was also a Principal Investigator. (Source: Lattes Curriculum)
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The objective of this project is to continue the development of the research project "Making African music and heritage in São Paulo", a partnership of Jasper Chalcraft with Rose Satiko Hikiji, professor in USP's Anthropology Department, as part of the thematic project "Local Musicking: new pathways for ethnomusicology".Jasper Chalcraft is part of the team of researchers of this thematic …
The visit of the researcher Jasper Chalcraft to São Paulo aims to develop the research project "Music Making and African cultural heritage in São Paulo", which is being conducted in partnership with Rose Satiko Gitirana Hikiji, professor in the Department of Anthropology of the USP, as part of the thematic project "Local musicking: new pathways for ethnomusicology", coordinated by Profess…
Within ethnomusicology, music has tended to be viewed from a regional perspective, particularly in relation to traditional and popular repertories, such that, generally speaking, these repertories are associated with their geographical origins (e.g., Gaucho nativist movement, Irish traditional music and so on). However, in 1989 the British anthropologist Ruth Finnegan published 'The Hidde…
(Only some records are available in English at this moment)
The field of Ethnomusicology has been undergoing an epistemological shift through which the ethnographic work has been increasingly observing not only the collective musical making, which marked most of the works in the discipline during the twentieth century, but also the individual music making. In this research project, we intend to produce an ethnography of Julio Valverde's intimate m…
This project intends to analyze how the musical performances of Grupo de Choro, Seresta e Serenata from the city of São Roque (SP) contribute to the formation of a sense of social belonging among its participants and to the production of locality. In order to do so, I mobilize the concepts of musicking, from Small (1998); locality, from Appadurai (1996); and also Turino's (2008) discussio…
This project aims to investigate the creative process of techno and trance music, two strands of electronic music, from composition within the studio to appreciation in the festive environment, highlighting the points of contact and distance between both genres in Brazil. Despite the use of instruments and equipment in common, both in composition and in presentation, techno and trance fin…
This research proposes an investigation in an atypical context for the world: the COVID-19 pandemic. The new reality brought by this event has caused several changes in the daily lives of people around the world since 2020 when social distancing was established in order to contain the transmission of the new disease. Many adaptations were considered remarkable in this new context, such as…
(Only some records are available in English at this moment)
In the doctoral research to which this project is linked, I investigate a network of social projects that operate under the premise of producing social impact through music teaching. Despite the projects studied carrying out activities that are quite different from each other, the presence of the rhetoric of transformation as a motivator of their practices is something that crosses them. …
The objective of this research is to investigate an underground electronic dance music scene in Berlin. The main actors in the scene are collectives of artists, DJs, musicians and performers, many of whom are LGBTQ people. The collectives promote parties aiming to create safe spaces for the expression of gender and sexual diversity, as well as freer relations with time, body and pleasure.…
The project aims to investigate the audiovisual as a methodological tool for the construction of ethnographic narratives, especially in the field of ethnomusicology. To this end, it proposes a theoretical and methodological reflection on the relationship between ethnographic film and ethnomusicological research, based on filmic and bibliographic references and the analysis of the research…
In the postdoctoral research associated with this project (process n. 2019/27545-3), we have observed that Julio Valverde's musical practice has strong traits of orality, such as the absence of formal musical education, which allows him to follow unusual creative paths, and the non-use of musical notation for recording his own compositions, whose most notable consequence is the difficulty…
(Only some records are available in English at this moment)
| 11 / 4 | Completed research grants |
| 1 / 1 | Ongoing scholarships in Brazil |
| 23 / 19 | Completed scholarships in Brazil |
| 1 / 1 | Ongoing scholarships abroad |
| 8 / 8 | Completed scholarships abroad |
| 44 / 33 | All research grants and scholarships |
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