Abstract
The present research project aims to investigate the presence of language cinematographic in the Brazilian novel from the modernist avant-garde to the contemporary, choosing, for this, works that, in theory, could function as symptomatic of these relations: Amar, verbo intransitivo (1927), Caminhos Cruzados (1935), Perto do Coração Selvagem (1944), Em Câmera Lenta (1977), Bandoleiros (198…