Matteo Bonfitto Júnior

• Abstract

  This research has as its central focus some creative processes that permeate the artistic field, mainly those associated with performing arts. In this case such processes are seen as generators of an expanded field, which functions as catalysts of interdisciplinary knowledge and activates the exploration of a particular perceptual dimension, referred here as tacit dimension. Interdiscipli…

  Creative processes: expanded field in performing arts: interdisciplinarity and tacit knowledge, AP.R

• Abstract

  In this research live tried to problematize, through the exploration of various aspects narrative, character, degrees of fictionalization, “mimesis”, presence, intentional some tensions that permeate the work of the actor as well as the work of the performer. Such elaborations are related to two postdoctoral research processes developed respectively in New York City, under the supervision…

  In between identities and alterities: reflections on the work of the actor e and the work of the performer, PUB.LVR.BR

• Abstract

  This postdoctoral research project seeks in the academic exchange with the Institute of Arts of the State University of Campinas the deepening of studies carried out previously, and published by Editora Perspectiva in the book This is not an actor: The theater of the Socìetas Raffaello Sanzio, about the relations between art and childhood. The central proposal of the project is to identif…

  PRESENCES OF CHILDHOOD IN CONTEMPORARY THEATRE, BP.PD

• Abstract

  The current project aim is to go deeper in the study of traditional knowledge of Mapiko masks, a trait of Mozambique's culture. Therefore it wishes to further the reflection about the liminality and the perception of the actor/dancer/performer investigating the process of masking on Mapiko’s tradition. It aims to produce a source of material that will feed and support the field of an inta…

  Mapik's mask: between identity and alterity, BP.DR

• Abstract

  In what concerns the actor's search for the dominance and mastery of his expressive resources, the notion of being in contact - reacting to the circumstances and peculiarities of his surroundings during the scene - took relevant emphasis throughout history, by the means of exercises and discussions that understood such characteristic as a significative element on the actor's performance. …

  A reflexion about the concept of contact according to Jerzy Grotowski, BP.IC

(Only some records are available in English at this moment)

• Abstract

  This project is an internship at the City University of New York proposition, as part of the postdoc research entitled Presences of Childhood in the Contemporary Theatre, which began in May 2018, at the Institute of Arts of the State University of Campinas (Brazil). This overseas internship is aimed to be developed both as an academic exchange at the Martin E. Segal Theater Center, home t…

  Presences of children in contemporary theatre - NY stage, BE.EP.PD

• Abstract

  The present paper is offering a deepening of the study of the traditional knowledge of the Mapiko masks, a cultural manifestation of Mozambique. This work wishes to widen the questions about the liminality and perceptions of the actor/dancer/performer by investigating the use of masks in the Mapiko tradition. Through the intercultural exchange, this project is offering the production of a…

  The Mapiko Mask: between identities and alterities, BE.EP.DR

• Abstract

  This Research Internship Abroad intends to deepen the studies comprising the ongoing doctoral research being developed at the State University of Campinas, which is supported by FAPESP/CAPES. This is a practice-led investigation on the witnessing of the aesthetics of shock (FÉRAL, 2012) in contemporary performance, which utilises notions from phenomenology and the lived body (MERLEAU-PONT…

  Liminality, community and participation: perspectives on the experience of shock in contemporary performance, BE.EP.DR

(Only some records are available in English at this moment)