bachelor's at Letras from Universidade Estadual Paulista Júlio de Mesquita Filho (1987), master's at Language from Universidade de São Paulo (1998) and doctorate at Language from Universidade de São Paulo (2004). Has experience in Language, focusing on Portuguese Language, acting on the following subjects: teoria literária, josé saramago, narrativa, língua portuguesa and literatura comparada. (Source: Lattes Curriculum)
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Ana Hatherly [1929-2015] was addition to being a writer, an artist of multiple facets: she worked in the field of painting, drawing, music, produced films and was responsible for several projects on Baroque studies, among which we highlight the idealization and direction of Claro-Escuro: Revista de Estudos Barrocos (1988-1991), which had the collaboration of several intellectuals of vario…
The project aims to analyze 15 (fifteen) critical texts of Fernando Manuel de Mendonça (1918-2002), published in the "Suplemento Literário" of O Estado de São Paulo between 1963 and 1968, with the purpose of identifying the method used by the critic based on the verification of the constituent procedures of the analysis, evaluation and exposure inherent in his reading exercise. In a Brazi…
This project intends to demonstrate the repercussions of the English ballads in the European ultra-romantic manifestations, with emphasis on the Portuguese poets active during most of the 19th century. By collecting keywords of the selected poems, we search for the establishment of a model recreated from the English ballad all over Europe. The methodology is guided by Mario Praz's conside…
(Only some records are available in English at this moment)
Ana Hatherly [1929-2015] was addition to being a writer, an artist of multiple facets: she worked in the field of painting, drawing, music, produced films and was responsible for several projects on Baroque studies, among which we highlight the idealization and direction of Claro-Escuro: Revista de Estudos Barrocos (1988-1991), which had the collaboration of several intellectuals of vario…
Blindness is point out as a watershed in the literary production of Jose Saramago. According to his own words, before Blindness he had dealt with the "statue"; from then on he has set his focus on the "stone". The "statue" should be understood as the adjustment of the dissonances of subjective experiences onto the layers of objective history and circumstantial reality. In Blindness, these…
| 1 / 0 | Completed research grants |
| 11 / 7 | Completed scholarships in Brazil |
| 2 / 2 | Completed scholarships abroad |
| 14 / 9 | All research grants and scholarships |
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CV Lattes
ORCID