Abstract
Analyze the concept of transcription in Julio Bressane films conceding interactions between three kinds of language: painting, literature and music. The corpus consists of films from Brás Cubas (1985) to A Erva do Rato (2009). Timing to four of these films as a starting point and then commenting others, the purpose is to start by paintings, from Filme de Amor (2003); literature, from Mira…