Luciano Migliaccio
CV Lattes
GoogleMyCitations
ORCID
Universidade de São Paulo (USP). Faculdade de Arquitetura e Urbanismo (FAU) (Institutional affiliation for the last research proposal) Birthplace: Itália
bachelor's at Lettere e Filosofia from Universitá degli Studi di Pisa (1982), bachelor's at Lettere from Scuola Normale Superiore Di Pisa (1982) and doctorate at Storia Dell'arte Medievale e Moderna from Universitá degli Studi di Pisa (1990). Has experience in Arts, focusing on Plastic Arts, acting on the following subjects: History of Art, History of Art Criticism. (Source: Lattes Curriculum)
- Plus ultra reception and cultural transfer of the classic art tradition between Mediterranean Europe and Latin America, AP.TEM
Abstract
Plus Ultra is a research program integrated by higher education institutions from Sao Paulo state, by other national and international similar institutions, and by some Brazilian National Heritage institutions. It aims to reforce and to increase the actions began by the project Biblioteca Cicognara - A Constituição da Tradição Clássica, Cicognara Library - The Constitution of the Classi...
- Giuseppina Raggi | Università di Bologna - Italy, AV.EXT
- The Cicognara Program - The Emergence of the Classical Tradition, AP.TEM
Abstract
The cicognara program, the emergence of the classical tradition is a thematic project and an initiative within the field of research into studies on the classical tradition and history, Memory and Historiography at the University of Campinas (Unicamp) History Department's Postgraduate Program IFCH/UNICAMP. It involves researchers from Unicamp, Universidade de São Paulo (USP), Universida...
- Archaeology of a discipline: on the first professorship of History of Fine Arts, Aesthetics and Archaeology of the Americas (1855-1870)., BP.PD
Abstract
In this research, we propose to organize, transcript and study the material concerning the first chair of art history, aesthetics and archaeology ever opened in the Americas. This chair was created in 1855, at the Academia Imperial de Belas Artes do Rio de Janeiro ('Imperial Academy of Fine Arts of Rio de Janeiro'), but its first lesson would be given only in 1870, by the painter and ph...
- Images of power: the political representation in the Renaissance and the portrait of cardinal Cristoforo Madruzzo by Tiziano in the MASP, BP.IC
Abstract
The purpose of this project is to analyze under a new light a picture painted by Tiziano Vecellio in 1552, belonging to the Art Museum of São Paulo. The work represents the Cardinal Cristoforo Madruzzo (1512-1567), Archbishop-prince in the city of Trento, and host of the famous ecumenical Council, happening among 1545 and 1563, that adopted the name of that city. Through the iconographi...
- The construction of Osorio Cesar's aesthetic thinking: the study of texts on art and culture written by him between 1920 and 1960, BP.DR
Abstract
The focus of this research came after the study of books aimed at analyzing psychiatric patient's artworks written by physician and intellectual Osório Thaumaturgo César (1895-1979). The observation of the aesthetic dimension in his books and his constant participation in the cultural and artistic life in São Paulo, sparked the interest in studying the construction of Osório Cesar's aes...
- Foreign works of art in the national museum of Fine Arts of Rio de Janeiro and its relationship with the gallery of the National School of Fine Arts in the early decades of the twentieth century, BP.PD
(Only some records are available in English at this moment)
- On the first professorship of history of fine arts, aesthetics and archaeology of the Americas and its transfers with Europe, BE.EP.PD
Abstract
This research project is circumscribed within the limits of a broader postdoctoral research currently underway in Brazil. It is a question of continuing to deal with a material which is still completely unexplored, although it is fundamental to the comprehension of the institutionalization of studies in the History of Art, Aesthetics and Archeology in Brazil during the nineteenth centur...
- Research on foreign works of art in the collection of the national museum of Fine Arts in Rio de Janeiro, acquired between 1890 and the early decades of the twentieth century, and its importance to the Brazilian artistic context, BE.EP.PD
Abstract
This project, submitted to FAPESP, intends on conducting library research in Italy, Portugal and Spain, in order to deepen the knowledge of works of art acquired for the collection of the National Museum of Fine Arts - NMFA (MNBA) of Rio de Janeiro, in the late nineteenth century and early decades of the twentieth century. The survey will cover the history of prominent foreign artists, ...
| 11 / 3 | Completed research grants |
| 1 / 1 | Ongoing scholarships in Brazil |
| 32 / 10 | Completed scholarships in Brazil |
| 2 / 2 | Completed scholarships abroad |
| 46 / 16 | All research grants and scholarships |
| Associated processes | |
(References retrieved automatically from State of São Paulo Research Institutions)
SILVA, Maria Do Carmo Couto da. Rodolfo Bernardelli, escultor moderno : análise da produção artítica e de sua atuação entre a Monarquia e a República. 2011. Tese (Doutorado) – Instituto de Filosofia e Ciências Humanas. Universidade Estadual de Campinas (UNICAMP).
SOUZA, Maria Luiza Zanatta de. Um novo olhar sobre \"Da fábrica que falece à cidade de Lisboa\" ( Francisco de Hollanda 1571). 2011. Tese (Doutorado) – Faculdade de Arquitetura e Urbanismo. Universidade de São Paulo (USP). São Paulo.
LEONELLI, Carolina. Lina Bo Bardi : [experiências] entre arquitetura, artes plásticas e teatro. 2011. Dissertação (Mestrado) - Faculdade de Arquitetura e Urbanismo. Universidade de São Paulo (USP). São Paulo.
CARA, Milene Soares. Do desenho industrial ao design no Brasil: uma bibliografia crítica para a disciplina. 2008. Dissertação (Mestrado) - Faculdade de Arquitetura e Urbanismo. Universidade de São Paulo (USP). São Paulo.
FONSECA, Sonia Maria. A invenção do Aleijadinho : historiografia e colecionismo em torno de Antonio Francisco Lisboa. 2001. Dissertação (Mestrado) - Instituto de Filosofia e Ciências Humanas. Universidade Estadual de Campinas (UNICAMP).
PEREIRA, André Luiz Tavares. A constituição do programa iconografico das irmandades de clerigos seculares no Brasil e em Portugal no seculo XVIII : estudos de caso. 2006. Tese (Doutorado) – Instituto de Filosofia e Ciências Humanas. Universidade Estadual de Campinas (UNICAMP).
CARVALHO, Rosa Cristina Maria de. A formação do pensamento estético de Osório Cesar : estudo dos textos sobre arte e cultura escritos no período de 1920 a 1960. 2016. Tese (Doutorado) – Instituto de Filosofia e Ciências Humanas. Universidade Estadual de Campinas.
THIMOTHEO, Juam Carlos. Manoel da Costa Athayde : de mestre a professor das artes. 2012. Dissertação (Mestrado) - Instituto de Filosofia e Ciências Humanas. Universidade Estadual de Campinas (UNICAMP).
ARRAES, Damião Esdras Araújo. Curral de reses, Curral de almas: urbanização do sertão nordestino entre os séculos XVII e XIX. 2012. Dissertação (Mestrado) - Faculdade de Arquitetura e Urbanismo. Universidade de São Paulo (USP). São Paulo.
CARA, Milene Soares. Difusão e construção do design no Brasil: o papel do MASP. 2013. Tese (Doutorado) – Faculdade de Arquitetura e Urbanismo. Universidade de São Paulo (USP). São Paulo.
SOUSA, Dalila Doring. A representação dos pobres nas pinturas religiosas do caravaggismo napolitano. 2002. Dissertação (Mestrado) - Instituto de Filosofia e Ciências Humanas. Universidade Estadual de Campinas (UNICAMP).
SILVA, Rosangela de Jesus. O Brasil de Angelo Agostini : Política e sociedade nas imagens de um artista (1864-1910). 2010. Tese (Doutorado) – Instituto de Filosofia e Ciências Humanas. Universidade Estadual de Campinas (UNICAMP).