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(Referência obtida automaticamente do Web of Science, por meio da informação sobre o financiamento pela FAPESP e o número do processo correspondente, incluída na publicação pelos autores.)

Investigation on the hazing of a Brazilian contemporary painting

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Autor(es):
Puglieri, Thiago S. [1] ; Lavezzo, Ariane S. [2] ; dos Santos, Isabela F. S. [1] ; de Faria, Dalva L. A. [1]
Número total de Autores: 4
Afiliação do(s) autor(es):
[1] Univ Sao Paulo, Inst Quim, Ave Prof Lineu Prestes 748, Cidade Univ, BR-05508000 Sao Paulo, SP - Brazil
[2] Univ Sao Paulo, Museu Arte Contemporanea, Rua Reitoria 160, Cidade Univ, BR-05508050 Sao Paulo, SP - Brazil
Número total de Afiliações: 2
Tipo de documento: Artigo Científico
Fonte: SPECTROCHIMICA ACTA PART A-MOLECULAR AND BIOMOLECULAR SPECTROSCOPY; v. 159, p. 117-122, APR 15 2016.
Citações Web of Science: 2
Resumo

A whitish crystalline-like coating was observed on the surface of the painting ``Incendio{''}, 1990, produced by Emmanuel Nassar and awarded at the 6th Biennial of Cuenca. This work belongs,to the Contemporary Art Museum of the University of Sao Paulo (MAC-USP) and such coating modified the artwork characteristics, causing an unpleasant effect and compromising its exhibition. The choice of the proper conservation and restoration strategies involves the understanding of the degradation process, demanding the identification of the chemical compounds formed on the painting surface, as well as of the other components in the painting. The results here obtained from Raman and optical microscopies, FTIR-ATR, SEM-EDS and GC-MS, revealed that the efflorescence chemical composition is almost only palmitic acid, with minor contents of stearic acid and their methyl esters, and that the paints are composed by chrome yellow, amorphous carbon and toluidine red pigment; an aluminum silicate filler in the black paint applied on the aluminum ground was also detected. Hierarchical Cluster Analyses (HCA) of the Raman spectra also revealed that the concentration of the efflorescence minor components depends on the paint composition. It was suggested, therefore, that the degradation process resulted from segregation and migration of mainly palmitic add from the dried paints. Restoration methodologies used in similar cases, as well as factors that contribute to this process, were discussed. (C) 2016 Elsevier B.V. All rights reserved. (AU)

Processo FAPESP: 12/13119-3 - Espectroscopia vibracional em fases condensadas
Beneficiário:Mauro Carlos Costa Ribeiro
Modalidade de apoio: Auxílio à Pesquisa - Temático
Processo FAPESP: 11/13760-8 - Impacto da composição química de microambientes em bens culturais: mecanismos e monitoramento
Beneficiário:Thiago Sevilhano Puglieri
Modalidade de apoio: Bolsas no Brasil - Doutorado