Autor(es)

Germano, Gustavo Branco ; Fernandez, Alexandre Marino ; Tapia, Daniel ; Lima, Henrique Souza ; Campesato, Lilian ; Mapurunga, Marina ; Bonafe, Valeria ; Reis, Vicente

• Tipo de documento: Artigo Científico
• Fonte: REVISTA VORTEX-VORTEX MUSIC JOURNAL; v. 9, n. 2, p. 26-pg., 2021-01-01.

Resumo

This paper presents an experimental methodology developed by the collective Laura: Place for Research on Aurality for approaching listening as a shared experience. As a motif for the application of this methodology, we take the work Mar Paradoxo (Raquel Stolf, 2016) as a proposition for experiencing multiple modes oflistening. To contextualize our understanding of Stolf's work, we refer to the concept of otography as a way of approaching the listening experience as something that makes and is made out of traces. By means of the production, sharing, and analysis of listening reports, we outline different modes through which our listening navigates. These modes help us understand listening as an experience that is multi-mediated and relational, singular and situated. In the end, we emphasize the presence of the other in the listening subject, resonating the thesis that the listening activity is driven by a desire of making one's listening listened. (AU)

• Processo FAPESP: 19/16714-9 - Escuta como composição em obras sonoras norte- e sul-americanas
• Beneficiário: Gustavo Branco Germano
• Modalidade de apoio: Bolsas no Exterior - Estágio de Pesquisa - Mestrado
• Processo FAPESP: 18/05388-0 - A escuta como ato de composição
• Beneficiário: Gustavo Branco Germano
• Modalidade de apoio: Bolsas no Brasil - Mestrado