| Texto completo | |
| Autor(es): |
Moschkovich, Diego
Número total de Autores: 1
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| Tipo de documento: | Artigo Científico |
| Fonte: | STANISLAVSKI STUDIES; v. 8, n. 2, p. 14-pg., 2020-04-25. |
| Resumo | |
This is the first of a series of two articles written as an investigation of the Opera-Dramatic Studio (1935-1938) unpublished files, held at the Moscow Art Theatre Museum, between November 2017 and February 2018. In it, I try to present an analysis of some new aspects of Stanislavski's preparation of the Studio's faculty and his practice with the pupils. After a short introduction to the research, I present, in this firt part, the period of the faculty's preparation (Jun-Oct 1935). Subsequently, in the second part, I will present the training work conducted with the pupils (Nov-Dec 1935), and an analysis of three aspects of Stanislavski's practice during his last years: the etude, the physical actions and the subconscious moment. These, as I argue functioned as a triple basic-training structure used in the preparation for the future work on the play and the role. To finish, I present a short conclusion on the analysed material. (AU) | |
| Processo FAPESP: | 16/14345-8 - O último Stanislavski em ação: tradução e análise das experiências do estúdio de opera e arte dramática (1935 - 1938) |
| Beneficiário: | Diego Fernandes Garcia Moschkovich |
| Modalidade de apoio: | Bolsas no Brasil - Mestrado |
| Processo FAPESP: | 17/13050-7 - O último stanislávski em ação: tradução e análise das experiências do Estúdio de Ópera e Arte Dramática (1935 - 1938) |
| Beneficiário: | Diego Fernandes Garcia Moschkovich |
| Modalidade de apoio: | Bolsas no Exterior - Estágio de Pesquisa - Mestrado |