| Grant number: | 12/05841-0 |
| Support Opportunities: | Scholarships in Brazil - Doctorate |
| Start date: | June 01, 2012 |
| End date: | June 30, 2013 |
| Field of knowledge: | Linguistics, Literature and Arts - Arts - Music |
| Principal Investigator: | José Roberto Zan |
| Grantee: | Adelcio Camilo Machado |
| Host Institution: | Instituto de Artes (IA). Universidade Estadual de Campinas (UNICAMP). Campinas , SP, Brazil |
Abstract This work aims to study a segment of phonographic production of the 1940s and 1950s which was characterized as "bad" taste. This repertoire was produced in a period in which certain distinctions intensified in Brazilian popular music: on one hand, there was a massification of radio, which was tied to the radio singers , that have become some of the first great mass idols in our country; on the other, there was the emergence of more intimate spaces, as were the Copacabana nightclub, where a repertoire considered modern was practiced. Therefore, the research aims to study the relationships between these two poles, checking in which way the idea of a "bad" Brazilian popular music was built in terms of speeches and musical practices. | |
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