| Grant number: | 13/03886-0 |
| Support Opportunities: | Scholarships in Brazil - Master |
| Start date: | October 01, 2013 |
| End date: | September 30, 2015 |
| Field of knowledge: | Humanities - History - History of Brazil |
| Principal Investigator: | José Adriano Fenerick |
| Grantee: | Anaja Souza Santos |
| Host Institution: | Faculdade de Ciências Humanas e Sociais (FCHS). Universidade Estadual Paulista (UNESP). Campus de Franca. Franca , SP, Brazil |
Abstract This project has as object some musicians who took part in the musical movement that happend in the city of São Paulo between the end of the seventies and the mid-eighties, known mainly as Vanguarda Paulista. From the analysis of Passoca's, Hermelino's, Neder's, Tetê Espíndola's and Alzira Espíndola's path, we will look for understand the reasons that resulted a strong difference related to the prestige obtained by the musicians who were involved in this moment of the brazilian independent music. From this conjecture in which some musicians obtained recoginition by the critics, by the restrict audience that listened the works of Vanguarda Paulista and also of the historiography, meanwhile others, like those that constitute our object, had its field even more restricted, and they were not remembered, in general, as part of the musical movement at issue. | |
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