Abstract
This project has as object some musicians who took part in the musical movement that happend in the city of São Paulo between the end of the seventies and the mid-eighties, known mainly as Vanguarda Paulista. From the analysis of Passoca's, Hermelino's, Neder's, Tetê Espíndola's and Alzira Espíndola's path, we will look for understand the reasons that resulted a strong difference related …