CV Lattes
ResearcherID
ORCID
Universidade Estadual de Campinas (UNICAMP). Instituto de Artes (IA) (Institutional affiliation from the last research proposal) Birthplace: Brazil
Composer from São Paulo, Professor at the Unicamp Arts Institute. Bachelor of Music from USP (1985), Master of Arts from Unicamp (1993) and PhD in Communication and Semiotics from PUC-SP (1998). She studied composition at the Musikakademie Detmold and at the Musikhochshule in Munich (1979-1984). Completed a doctoral internship at INA-GRM in Paris and completed her post-doctorate at the UFRJ School of Music (2007). Her musicological research focuses on the area of electroacoustic music analysis, having dedicated herself in recent years to researching, documenting and analyzing Brazilian electroacoustic music. As a composer she worked on interdisciplinary research with LUME/UNICAMP, having composed music for important theatrical productions of that Center, as well as with projects from the Unicamp Dance Department. In the 90s he developed work in the area of electroacoustic music, a musical genre that accounts for the majority of his publications on CDs. She has published two solo CDs and published several collections of works. In recent years she has also composed works for Symphony Orchestras. She was Coordinator of the Postgraduate Program in Music and Coordinator of Postgraduate Courses at the Unicamp Arts Institute. She was Director of the CIDDIC Center for Integration, Documentation and Cultural Diffusion at Unicamp (2010-2017), Associate Coordinator of the same Center (2017-2022) and Research Coordinator at the Unicamp Arts Institute (2022-2023). (Source: Lattes Curriculum)
| News published in Agência FAPESP Newsletter about the researcher |
| More itemsLess items |
| TITULO |
| Articles published in other media outlets ( ): |
| More itemsLess items |
| VEICULO: TITULO (DATA) |
| VEICULO: TITULO (DATA) |
This project aims to investigate the harmonic theory of quarter tones through a case study: the analysis of the Largo of String Quartet No. 02, Op.07 (1920), the first microtonal work by the Czech composer Alois Hába. To this end, a bibliographical review will first be carried out regarding microtonalism, which will seek to build a theoretical framework for the analysis of the work. In th…
This research aims at shedding light on the Brazilian production of music-theater, fomenting the discussion about the processes of creation, transformation and unfolding, and with that, to identify the idiomatic characteristics of this genre in Brazil. It is assumed that such genre has been neglected in the historiography of Brazilian music, with few works that consider and propose reflec…
The main objective of this research is to observe the elements of contemporary classic music implemented by Arrigo Barnabé in his work which consist of popular Brazilian music lineup. For this, two works that correspond to different phases of the composer's career will be analyzed. The first, refers to his debut album Clara Crocodilo (1982) called "Sabor de Veneno". In it we will observe …
(Only some records are available in English at this moment)
The project presents a proposal of study for development of graduate trainee internship at McGill University. The research looks for solutions to increase the effectiveness of immersion and interaction between the visitors and the computer system in the context of interactive installations. To this purpose, we propose strategies of mapping and sonification of parameters obtained from the …
| 3 / 1 | Completed research grants |
| 23 / 10 | Completed scholarships in Brazil |
| 1 / 1 | Completed scholarships abroad |
| 27 / 12 | All research grants and scholarships |
| Associated processes | |