José Geraldo Costa Grillo

• Abstract

  Through wall paintings with female representations, mainly found in tombs of the city of Tarquinia, this project aims to verify the context in relation to female gender in Etruria. For this goal will be considered the paintings themselves and even texts of the time referring to the Etruscan society. The primary sources mentioned here are the authors of antiquity, Greeks and Romans, who pr…

  The etruscan feminine reviewed: a question of gender in parietal art, BP.MS

• Abstract

  The perspective for this project is building to a new Art History as from the analysis of the women in the Attic vases made by Euphronios and his companions and fellows (Oltos, Smikros and Onesimos) between 520-500 B.C. and establish how the discourses about the body corroborate for to mould the gender and sexuality conceptions into the Greek society. Understanding this way, what are the …

  The women in Ancient Greece from Euphronios paintings and his companions, BP.MS

• Abstract

  This research aims to study the portraiture of the Augustan Age. Given the many approaches currently practiced in the History of Roman Art, I have chosen one called "Art and Context", which puts its focus on production, function and reception of artistic works. (AU)

  The portrait of Augustus: power, body and myth, BP.MS

(Only some records are available in English at this moment)

• Abstract

  The objective of this research is to investigate the conceptions of the body, gender and sexuality in figures of women in sympotic scenes in Attic pottery painting, problematized by the Gender Studies approach. Therefore, it verifies how the conceptions of the body in ancient Greece acquired meanings in specific historical, social and cultural contexts, and how they are articulated with g…

  Body, gender and sexuality in the figuration of women in sympotic scenes painted on Attic pottery, BE.PQ