Abstract
ABSTRACTThis study aims to investigate the aesthetic relationship between the dramatic works by the black North American playwrights Langston Hughes (19021967) and Amiri Baraka (1934 ) as concerns their theatrical and political conceptions. Two plays by each of these playwrights have been chosen for this purpose: Mulatto (1935) and Don´t you want to be free?(1938), by Langston Hughes, an…