Abstract
The research looks at the european production of architecture and urbanism from the late 1950's to the early 1970's in order to examine two projects that fit into the context of the so-called tecnoutopias: New Babylon (1958-1974) of Constant Nieuwenhuis/International Situationists and Continuous Monument (1969) of Superstudio. It is intended to discuss the different ideals of man and soci…