CV Lattes
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Universidade de São Paulo (USP). Escola de Comunicações e Artes (ECA) (Institutional affiliation from the last research proposal) Birthplace: Brazil
Ph.D. student at the University of São Paulo (USP). Completed a Master's degree in Music (2020) at the same instititution with a research internship at the City University of New York (CUNY) (2019-2020), financed by FAPESP. His research proposed an understanding of listening as a compositional act, with particular emphasis on musical works that don't require any intentional production of sound. Graduated in Music Education at the University of São Paulo (2017) with an exchange period at York University (Toronto). Developed an undergraduate research project, financed by FAPESP, on the relation between silences and extended durations in the work of artists associated with the Wandelweiser collective. Member of NuSom - Research Center on Sonology, LAURA - Place for Research on Aurality and the experimental music collective NME. Studied classical guitar with Everton Gloeden, Daniel Murray and Edelton Gloeden. (Source: Lattes Curriculum)
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In this project, we propose an investigation of the artistic practice of field recording in the contexts of Brazilian experimental music and sound art. We use the expression "field recording" as a way to designate a particular type of artistic production that has developed internationally over the last three decades, therefore distinguishing it from more general conceptions of the same te…
This project focuses on a specific area of experimental music that we shall call non-ficcional music, borrowing the expression from its use in Jennie Gottschalk s 2016 book Experimental Music Since 1970. For the delimitation of our object, we shall develop an analogy with the opposition between fiction and documentary in cinema. Inside this sub-area of experimental music, we wish to under…
Throughout the past 24 years, compositional collective Wandelweiser has had an extensive and expressive musical production, counting dozens of records and hundreds of scores published through their Edition Wandelweiser label. This project aims to investigate the collective/s production focusing on two main aspects that are recurrent in most of their compositions: silence and extended dura…
In this internship, we will examine how the documentary potential of field recording has been employed by contemporary Brazilian sound artists in order to produce socially and politically engaged sonic artworks. Four field recordists have been selected as our case studies: Marco Scarassatti, Paulo Dantas, Raquel Stolf and Thelmo Cristovam. An approach based on recent Sound Studies theory …
This project proposes the analysis of four pieces from both North and South-American musicians and sound artists which, through different means, imply a compositional act of listening. Among the many different practices in which this might occur, our research emphasizes artistic practices which creatively engage listening of the everyday sounds that surround the listener, considering the …
| 1 / 1 | Ongoing scholarships in Brazil |
| 2 / 2 | Completed scholarships in Brazil |
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| 5 / 5 | All Scholarships |
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