Diego Moschkovich is a theater director, theater pedagogue and translator. He has a degree in Performing Arts from the St. Petersburg State Academy of Performing Arts (LGITMiK-RGISI) and a master's degree in Literature from the University of Sao Paulo. He researches the historical heritage and legacy of Stanislavskys thought. He is the author of the book The Late Stanislávski in action: rehearsing on a new method (Perspectiva, 2021). He has also translated and published the first Russian translation of Vsevolod Meyerhold's On theatre (Iluminuras, 2012), Vassily Toporkov's Stanislavsky on rehearsal (É, 2016), Maria Knebel's Action-Analysis (2016, Editora 34) and Serguei Tcherkasski's "Stanislavsky and Yoga" (É, 2019). As a director, he has premiered: Caixa (Tape), by Stephen Belber, (OC Oswald de Andrade, 2014), Dezembro (December), by Guillermo Calderón (SESC Consolacao, 2015), Huis Clos - A Portas Fechadas, by J.P. Sartre. Sartre, (Itau Cultural, 2016), Neva, by Guillermo Calderon (CCSP, 2016), winner of the III Ze Renato Theater Award, O corpo que o rio levou (A body taken by the river), by Ave Terrena, winner of the IV Zé Renato Theater Award (CCSP, 2017), As 3 uiaras de sp city (The 3 uiaras from sp city), by Ave Terrena Alves, winner of the IV Small-Format Dramaturgy Award of the CCSP (CCSP, 2018), Villa, by Guillermo Calderon (SESC Pinheiros, 2018), Sarah Hagar decide to kill Abraham, by Ti Viúdes (TUSP, 2022), E lá fora o silêncio (And outside the silence), by Ave Terrena (SESC Pinheiros, 2022). With Ave Terrena and Diego Chilio, she also coordinates the Laboratory of Dramatic Technique (LABTD). He is currently a FAPESP doctoral fellow at the PPGAC of the School of Communications and Arts (ECA/USP), with the research: Towards a theater with moving walls: Stanislávski's last and unfinished revolution. (Source: Lattes Curriculum)
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Traditionally, Konstantin Stanislavski's last period of life (1935 - 1938) is considered a sinthesizing period of his research. Some evidence found in a recent research in the Moscow Art Theatre Museum's Archive, though, allow us to think that this last period of life and work was something beyond: a new radical and paradigmatic change planned by Stanislavski himself in his last years, a …
This research project intends to study and analyze the period known as "the last Stanislavski" (1935 - 1938). In this period, Konstantin Serguéievitch Stanislavski held the Opera-Drama Studio in his house. This study aims at selecting and translating Stanislavski's writing from the above mentioned period, all still unpublished in portuguese.In 1935 a governmental decree created the Opera-…
It is generally accepted that Konstantin Stanislvsy's last period of work (1935 - 1938) is the synthesis of his life-long theatrical searches. Nevertheless, the evidence previously found at the Moscow Art Theatre Museum Archives suggests that the Russian master's work in the 1930s was something else: a new and radical paradigmatic change in performance structures. This change was never co…
The world-renowned Russian actor and theater pedagogue Konstantin Stanislavsky (1863 - 1938) ran the Opera-Drama Studio out of his own house and under the auspices of the soviet ministry of Culture from the years 1935 to 1938, the year of his death. The Studio era became known for the delivery of the method of physical actions -- the last and less known of Stanislavsky's pedagogical appro…
| 2 / 2 | Completed scholarships in Brazil |
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