PhD student in Philosophy at the Federal University of ABC in the research line of Theory of Knowledge, developing thesis under the title, "Art as resistance to the erosion of the other in the information society", with a social demand scholarship CAPES (Coordination for the Improvement of Personnel of Higher level). The researcher has a master's degree in philosophy from the same program and line of research, he has a bachelor's and a degree in Visual Arts from the Institute of Arts of the State University of Campinas IA-Unicamp. He is a research member of the 'Image and Subjectivity' group (UFABC), coordinated by Professor Paula P. Braga, in the lines of research: 1- The construction of subjectivation focused on the collective; 2- Image technologies: from the Renaissance to the Age of Networks. He works with the research group 'Photography, Art and Creation', coordinated by Professor Filipe Mattos de Salles (IA-UNICAMP), in the line of research 'Image, Philosophy, and Analytical Psychology'; in addition to actively participating in the research group 'Ethics, Power Relations, Subjectivity and Technology' coordinated by Professor Leandro Pinheiro Chevitarese (UFRRJ), in the line of research 'Ethical Challenges: Power Relations, Production of Subjectivity, Sexuality and Technology' . Main areas of interest: Philosophy, Aesthetics and Philosophy of Art, Philosophy of technique, Information Technologies, Image Theory, Subjectivities, Creative Process, Curatorship, Painting and Art History. (Source: Lattes Curriculum)
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The objective of this research is to identify the role, possibility, and potential of artistic creation in the information society. The scope of the problem to be explored is defined by two parameters drawn from the work of philosopher Byung-Chul Han: 1) the contemporary crisis in the relationship with otherness; 2) the intensification of this crisis through the digitalization of everyday…
This project has as its main objective to accomplish an analysis of Vincent van Gogh's work produced after his contact with the Parisian artistic scene and, most importantly, after his contact with the famous Japanese traditional gravures, Ukyo-e. Our purpose is to understand the influences of said French artistic and historical moment and, particularly, of the aesthetic and philosophical…
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