Abstract
The purpose of this project is to analyze the three movements of the Bachianas Brasileiras No. 1: Introduction (Embolada), Prelude (Modinha) and Fugue (Talk) from a transformational approach, following the line of proposed by Steven Rings in which analytical tools neo-Riemannian are used to illuminate familiar aspects of tonality (RINGS 2011, p. 1). Based on this approach, the results of …