Abstract
In this research we intend to revisit the panorama of the artistic movement of the 1940s and 1950s in Recife, two decades that we consider fundamental for the understanding of the artistic and intellectual formation of Ariano Suassuna in the field of the risible. The first, marked by the entry of Suassuna in Recife's Law School, by his involvement with the theater group led by Hermilo Bor…