Paulo Sampaio holds a Master's degree in Philosophy from FFLCH-USP and a Bachelor's degree in Music with a major in Composition from ECA-USP. He is currently a doctoral student at ECA-USP, developing research on theoretical and methodological issues in the writing of music history, under the supervision of Prof. Mário Videira. He is a member of the research group Estilhaço: Grupo de Estudos sobre Modelos Críticos, certified by CNPq and coordinated by Prof. Vladimir Safatle. As a music critic, he has had texts published in the Folha de S.Paulo newspaper. He is currently program notes writer for the São Paulo State Symphony Orchestra (OSESP). (Source: Lattes Curriculum)
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We will discuss the relation, present in Theodor Adorno's philosophy of music, between New Music and the category of musical expression. At least since his Philosophy of New Music (1949), the transformations occurring in such relation are linked to a certain process of emancipation of the musical subject, which represents for Adorno the main goal of avant-garde music. We shall see to what…
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