Abstract
The proposed research aims to employ a comparative approach in order to analyse three musical and audiovisual projects idealised and conceived by women artists in the 2010s: Let England Shake, by PJ Harvey; Biophilia, by Björk, both released in 2011; and Lemonade, by Beyoncé, released 2016. These projects share an innovative drive in their daring combination of musical and audiovisual mat…