Abstract
With the following project we propose to analyze the critical discourses of Mário Pedrosa (1990-1981) and Sérgio Milliet (1898-1966) under the perspective of the circulation of Giorgio Morandi (1890-1964) in the Brazilian artistic scene. We understand that Mário Pedrosa and Sérgio Milliet were central figures in the formation of the art collections of the main Brazilian cultural centers. …