FAPESP scholarship holder (2022-current) in the Master's Degree Program in Languages, Media and Art at the Pontifical Catholic University of Campinas (PUCCAMP). Graduated in Visual Arts with emphasis on Degree from PUCCAMP (2021). Scholarship holder in Scientific Initiation by FAPESP (2019-2020). Teaching Initiation Scholarship - PIBID (2018-2019). In the field of art research, she is interested in artistic practices that dilute the boundaries between languages and materialities in the investigation of themes: creation processes; image, embodiment and memory; multisensoriality; identity; philosophy of technology; technological devices. (Source: Lattes Curriculum)
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Taking the context of contamination between art and technology, we seek to understand multisensory poetics, observing the artist's perceptive experience as a "own body" (MERLEAU-PONTY, 1999) that operationalizes/mobilizes "incorporations" (IHDE, 2009) in the "abstract, practical and conceptual dimensions" (REY, 2002) of the work being done. In Sensitive to Pleasure (2010) and Omnipresence…
The project intends to investigate the poetics of indigenous artists Naine Terena and Sallisa Rosa, identifying the operative concepts, materialities and technologies of the image (REY, 2002), to understand how the artists build their places of speech (RIBEIRO, 2017) within the system of Art. Due to the interdisciplinary nature of the research, sociological and philosophical concepts will…
Taking the context of the creation processes between art, technology, and science, proposed in the master's research project [fapesp process no. 2022/05643-6], we seek to study, in this request, technological devices operationalized by artists as micropolitical resistances (FEENBERG, 2006). Sensitive to Pleasure (2010) and Compression Cradle (2016) are cited for contextualizing the multis…
| 2 / 2 | Completed scholarships in Brazil |
| 1 / 1 | Completed scholarships abroad |
| 3 / 3 | All Scholarships |
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CV Lattes
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