David Ken Gomes Terao in research grants and scholarships supported by FAPESP.
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After the period known as Brazilian cinema Retaken, between 1994 and 2003, Brazilian cinema found a stable production structure compared to previous years. This allowed the renewal of an independent and authorial segment. Cinema as established in those years, between chronicles of customs, light comedies, historical dramas and crime films, was mostly settled from a naturalist-realistic re…
In her book Le mélodrame dans le cinéma contemporain, Françoise Zamour proposes an analysis methodology for melodrama based on the discipline of history. His theory is that melodrama is the privileged genre to deal with the people as a theme and addressee simultaneously. Dealing with the difficult and problematic concept of the people, Zamour resorts to the context of the French Revolutio…
| 1 / 1 | Completed scholarships in Brazil |
| 1 / 1 | Completed scholarships abroad |
| 2 / 2 | All Scholarships |
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