Luiza Wollinger Delfino is a master's student in the Postgraduate Programme in Audiovisual Media and Practices at the University of São Paulo, Brazil. With a FAPESP scientific initiation fellowship and supervised by Prof Dr Esther Império Hamburger (2020/15036-4), she researched theories of cinema through the senses, based on the work of Vera Chytilová, seeking transmedia relations between the director's cinema and television. In 2022, she did a research internship at Charles University in Prague, where she worked at the Cinematheque and the Czech Television Archive, with a FAPESP grant (2022/04554-0). She has completed an undergraduate research project on dramaturgy in new media, with the support of the Unified Scholarship Programme at the University of São Paulo, under the supervision of Prof. Dr. Roberto Moreira. As an art director, she has directed the short films O que fica de quem vai (André Zamith, Vinícius Cerqueira, 2023), Nossos Últimos Dias (José Toledo, 2024), Urticária Incandescente (Augusto A. Sauandaj, 2025) and the music video Convenções Humanas (Human Conventions), by the bands Walfredo em Busca da Simbiose and PLUMA, which she submitted as her final project for the Audiovisual Degree course at ECA-USP in 2023. Luiza currently investigates the articulations between art direction and screenwriting, through the work of Czech artista Ester Krumbachová, with a FAPESP grant (2024/00235-2). (Source: Lattes Curriculum)
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This project aims to investigate the links between the fields of screenwriting and production design in cinema, based on a case in which both functions are performed by the same professional: Czech costume designer, art director and screenwriter, Ester Krumbachová. The objects of analysis are her four original screenplays and films, collected at the Czech National Film Archive during a FA…
The present project intends to investigate the aesthetic and formal aspects that constitute the female protagonism in the early works of Czech film director Vra Chytilová and in which ways they relate to her less-known television production. To answer these questions, the project will be segmented into three stages. The first stage will focus on the aesthetic and formal aspects of the fi…
This project is part of a larger inquiry that seeks to stimulate transnational and transmediatic approaches to production design studies. The research in Brazil develops previous FAPESP projects, including a research internship at Charles University in Prague, when the investigations at the screenplay collection at the National Film Archive raised new inquiries regarding the creative and …
In general, television studies are separate from film studies. This project is part of a larger inquiry that seeks to relate the mediums, in this case via the work of the Czech director Vra Chytilová. The central objective of the research in the country is to investigate which aesthetic and formal aspects make up the female protagonism in the first phase of the filmmaker's career and how …
| 2 / 2 | Completed scholarships in Brazil |
| 1 / 1 | Ongoing scholarships abroad |
| 1 / 1 | Completed scholarships abroad |
| 4 / 4 | All Scholarships |
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