Abstract
The present research project aims to investigate the production of Lucy Citti Ferreira (1911-2008) and Yolanda Mohalyi (1909-1978). Both artists produced beside Lasar Segall between the 1930s and 1940s. Given their proximity to the Lithuanian painter, part of their work was understood by critics as a by product. Notwithstanding their academic backgrounds and their various stints in Europe…